Testament Films – Film and Death

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22/01/2026

New article published in our Arts Special Issue on Swan Songs

The editors of Swan Songs, Vasco Baptista Marques and Susana Viegas, are pleased to announce the publication of a new open-access article: “Lola Montès: Max Ophüls’s Final Dive into Circularity and Repetition” by Carlos Natálio. This article provides a reading of “Lola Montès” (1955), Max Ophüls’ last work, in light of the idea of it possibly […]

25/11/2025

New article from Patrícia Castello Branco for our Arts’ Special Issue on Swan Songs

We are pleased to announce that our Arts‘ Special Issue on Swan Songs: Philosophical Reflections on Death, Time, and Memory in Testament Films keeps growing. You can now read a new open-access article from Patrícia Castello Branco, titled “The Anti-Testament of Ozu: Time, Finitude and Repetition in ‘An Autumn Afternoon'”. This new article offers a reading […]

30/09/2025

Extended Deadline! CfP Special Issue on Swan Songs: Philosophical Reflections on Death, Time, and Memory in Testament Films

We are happy to announce the new home for the Special Issue “Swan Songs: Philosophical Reflections on Death, Time, and Memory in Testament Films”! The editors have chosen to publish it in Arts, an international, peer-reviewed, open-access journal (also published online by MDPI) devoted to research on all facets of the visual and performing arts, […]

25/09/2025

New article by Marco Grosoli

A new open-access article by Marco Grosoli is out now, having been published in Arts as part of the Special Issue Swan Songs: Philosophical Reflections on Death, Time, and Memory in Testament Films. The article “Wrapping Up “Through the Eyes of Those Who Are No Longer”: Paolo Taviani’s Leonora addio (2022)” is available here. In […]