Natacha Gallucci – Film and Death

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Aesthetics Alain Resnais Alfred Hitchcock Animation anime Anna Elsner Anti-image Architecture and Cinema Artistic Studies Bande Dessinée Bárbara Bergamaschi Béla Tarr Bernd Herzogenrath Bill Morrison Book Discussion Byron Davies Call Call for Papers Calls Catherine Malabou Catherine Wheatley Cátia Rodrigues Chantal Akerman Christian Petzold Christine Reeh-Peters Cinema Journal of Philosophy Cinema Studies CJPMI Conceptual Knowledge Map Conferences Corey P. Cribb Cristóbal Escobar Daniel Conway David Ferragut David H. Fleming David Lynch Davide Sisto Death and Technology Death in the Eyes 2 Death-Image Deleuze Derrida Diana Neiva Disappearence End-of-life care Events Farshad Zahedi Félix Guattari Female Biopic FIlm Film and Death Film Genres Film Philosophy Film Studies Film-Phil Seminar Gilles Deleuze Grief Gülce Zeynep Bektaş Ingrid Rodrigues Gonçalves Jacques Derrida Jaime Pena Jakob A. Nilsson James Williams Jamieson Webster Japan Jean-Marc Rochette Jonathan Glazer Kanen Barad Lacrimae Rerum Lucas Ferraço Nassif Lucy Bolton Manoel de Oliveira Marc Cerisuelo Marco Grosoli Media Studies Michael Cholbi Michael Haneke Mortality Muhammad Haris Natacha Gallucci Nélio Conceição New Queer Cinema Outi Hakola Palliative Care Paolo Taviani Patrícia Castello Branco Patricio Guzmán Pedro Inock Philosophy of Cinema Philosophy of Death Posthumanism Publications Queer Post-Cinema Queer Studies Reading Group Research Grant Robert Sinnerbrink Salomé Lamas Seán Cubbit Short-Term Residencies Slavoj Žižek Slow Cinema Stanley Cavell Star Biopic Susana Viegas Swan Songs Testament Films Thanatology Thomas E. Wartenberg Thomas Lamarre Tiago Cravidão Time-Image Vanessa Freerks Vasco Baptista Marques Video Videoart Violence Visiting Researcher Walter Benjamin Workshop

27/05/2026

The Film-Phil Lisbon Seminars: Natacha Gallucci

June’s first Film-Phil Lisbon Seminar will be led by our visiting researcher Natacha Gallucci (Federal University of Alagoas) who will talk about “Cinema and Death in Latin American Perspective – Phase I: 1960–1980”. Abstract In this first phase of the research project Cinema and Death in Latin American Perspective, a film corpus from the 1960s to […]