Publications – Film and Death

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Aesthetics Alain Resnais Alfred Hitchcock Animation anime Anna Elsner Anti-image Architecture and Cinema Artistic Studies Bande Dessinée Bárbara Bergamaschi Béla Tarr Bernd Herzogenrath Bill Morrison Book Discussion Byron Davies Call Call for Papers Calls Catherine Malabou Catherine Wheatley Cátia Rodrigues Chantal Akerman Christian Petzold Christine Reeh-Peters Cinema Journal of Philosophy Cinema Studies CJPMI Conceptual Knowledge Map Conferences Corey P. Cribb Cristóbal Escobar Daniel Conway David Ferragut David H. Fleming David Lynch Davide Sisto Death and Technology Death in the Eyes 2 Death-Image Deleuze Derrida Diana Neiva Disappearence End-of-life care Events Farshad Zahedi Félix Guattari Female Biopic FIlm Film and Death Film Genres Film Philosophy Film Studies Film-Phil Seminar Gilles Deleuze Grief Gülce Zeynep Bektaş Ingrid Rodrigues Gonçalves Jacques Derrida Jaime Pena Jakob A. Nilsson James Williams Jamieson Webster Japan Jean-Marc Rochette Jonathan Glazer Kanen Barad Lacrimae Rerum Lucas Ferraço Nassif Lucy Bolton Manoel de Oliveira Marc Cerisuelo Marco Grosoli Media Studies Michael Cholbi Michael Haneke Mortality Muhammad Haris Natacha Gallucci Nélio Conceição New Queer Cinema Outi Hakola Palliative Care Paolo Taviani Patrícia Castello Branco Patricio Guzmán Pedro Inock Philosophy of Cinema Philosophy of Death Posthumanism Publications Queer Post-Cinema Queer Studies Reading Group Research Grant Robert Sinnerbrink Salomé Lamas Seán Cubbit Short-Term Residencies Slavoj Žižek Slow Cinema Stanley Cavell Star Biopic Susana Viegas Swan Songs Testament Films Thanatology Thomas E. Wartenberg Thomas Lamarre Tiago Cravidão Time-Image Vanessa Freerks Vasco Baptista Marques Video Videoart Violence Visiting Researcher Walter Benjamin Workshop

03/06/2026

New article by Diana Neiva published in our Arts Special Issue on Swan Songs

The guest editors of the Arts’ Special Issue on Swan Songs: Philosophical Reflections on Death, Time, and Memory in Testament Films, Vasco Baptista Marques and Susana Viegas, are pleased to announce the publication of a new open-access article: “Rebooting Death: Wes Craven’s Scream 4 as Testament Film” by Diana Neiva. This paper examines Wes Craven’s Scream 4 (2011) […]

24/04/2026

New article by Nélio Conceição published in our Arts Special Issue on Swan Songs

The guest editors of the Arts’ Special Issue on Swan Songs: Philosophical Reflections on Death, Time, and Memory in Testament Films, Vasco Baptista Marques and Susana Viegas, are pleased to announce the publication of a new open-access article: “On Wrinkles, Laughter, and the Self-Reflexivity of Joris Ivens’s A Tale of the Wind“, by Nélio Conceição. In his swan song A […]

23/03/2026

Manoel de Oliveira and Portuguese Cinema: 3. Turns of Life – Yesterday as Today (1990–2015)

Susana Viegas, Marco Grosoli, and Vasco Baptista Marques have been invited to contribute to the third volume of ‘Manoel de Oliveira and Portuguese Cinema: 3. Turns of Life – Yesterday as Today (1990-2015)’, published by the CCMO-Serralves Foundation, and throughout 2026, they will also join screening sessions at the Auditório (15 Mar-21 Oct 2026) as […]

24/02/2026

New publication by Lucas Ferraço Nassif for Alea: Estudos Neolatinos

We are very pleased to announce that Lucas Ferraço Nassif‘s new open-access article for Alea: Estudos Neolatinos has just been published! Titled “Metallic Affects in Hiroshima mon amour: The Unconscious via Jacques Lacan, Gilles Deleuze, and Félix Guattari”, Lucas Ferraço Nassif’s peer-reviewed article is a frontier work that intersects psychoanalysis and schizoanalysis. The text discusses […]