Blog – Film and Death

Tags

Aesthetics Alain Resnais Alfred Hitchcock Animation anime Anna Elsner Anti-image Architecture and Cinema Archive Artistic Studies Bande Dessinée Bárbara Bergamaschi Béla Tarr Bernd Herzogenrath Bill Morrison Book Discussion Byron Davies Call Call for Papers Call for Works Calls Catherine Malabou Catherine Wheatley Cátia Rodrigues Chantal Akerman Christian Petzold Christine Reeh-Peters Cían Ó Donnchadha Cinema Journal of Philosophy Cinema Studies CJPMI Conceptual Knowledge Map Conferences Corey P. Cribb Cristóbal Escobar Daniel Conway David Ferragut David H. Fleming David Lynch Davide Sisto Death and Technology Death in the Eyes 2 Death-Image Deleuze Derrida Diana Neiva Disappearence End-of-life care Events Farshad Zahedi Félix Guattari Female Biopic FIlm Film and Death Film Genres Film Philosophy Film Studies Film-Phil Seminar Gilles Deleuze Grief Gülce Zeynep Bektaş Ingrid Rodrigues Gonçalves Jacques Derrida Jaime Pena Jakob A. Nilsson James Williams Jamieson Webster Japan Jean-Marc Rochette Jonathan Glazer Kanen Barad Lacrimae Rerum Laurence Kent Lucas Ferraço Nassif Lucy Bolton Manoel de Oliveira Marc Cerisuelo Marco Grosoli Media Studies Memory Michael Cholbi Michael Haneke Mortality Muhammad Haris Natacha Gallucci Nélio Conceição New Queer Cinema Open Call Outi Hakola Palliative Care Paolo Taviani Patrícia Castello Branco Patricio Guzmán Pedro Inock Performance Philosophy of Cinema Philosophy of Death Posthumanism Publications Queer Post-Cinema Queer Studies Reading Group Research Grant Robert Sinnerbrink Salomé Lamas Seán Cubbit Short-Term Residencies Slavoj Žižek Slow Cinema Stanley Cavell Star Biopic Susana Viegas Swan Songs Testament Films Thanatology Thomas E. Wartenberg Thomas Lamarre Tiago Cravidão Time-Image Vanessa Freerks Vasco Baptista Marques Video Videoart Violence Visiting Researcher Walter Benjamin Workshop

25/09/2026

Susana Viegas at Fundação Serralves

There are images that seem to want to stop time. Originally written and conceived in the late 1940s, but only made more than half a century later, The Strange Case of Angélica (2010) tells the story of how a photograph of a dead woman becomes, for Isaac, a disturbing presence – somewhere between desire and […]

23/09/2026

Susana Viegas will be at the ‘Philosophy of the City Conference’

At the ‘Philosophy of the City Conference’, hosted by the Faculty of Architecture, Czech Technical University in Prague (15-17 October 2026), Susana Viegas will present the paper ‘Chantal Akerman and the City as a Space of Exhausted Life’. Building on her ongoing research on the death-image, Viegas examines how Chantal Akerman’s ‘News from Home’ (1976) and […]

17/09/2026

New Open Access article by Susana Viegas on Cavell and Deleuze

What can death reveal about the unexpected connection between Cavell and Deleuze? Susana Viegas has published the open-access article ‘Cavell and Deleuze: Genre as Medium, Death as Image’, part of the Philosophies dossier ‘Film-Philosophies of Stanley Cavell and Gilles Deleuze’, edited by Jeroen Gerrits & Sandra Laugier. Following her recent presentation at ‘Stanley Cavell at 100: An […]

24/08/2026

New Open Access article by Lucas Ferraço Nassif

We are happy to share that Lucas Ferraço Nassif, our post-doc researcher and FILM AND DEATH team member, has just published a new article titled “The epistemology of dizziness in psychoanalysis and schizoanalysis: Individuation, screen-based media, and the production of unconsciouses” in Revista Latinoamericana de Psicopatologia Fundamental (2026), no. 29. Concerned with the reconceptualization of […]