Film and Death
Film and Death
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06/05/2026

The Film-Phil Lisbon Seminars: Isabel Gamero

May’s Film-Phil Lisbon Seminar will be led by our resident Isabel Gamero (Complutense University of Madrid), who will talk about “Mind / Body & World / View(ed): Some questions about dualism, horror films and Cavell’s philosophy”. Abstract In my presentation I am interested in raising philosophical questions about the peculiar place that horror films occupy […]
05/05/2026

Death in the Eyes 2: Philosophical Perspectives on Film Genres and Death 

From May 27 to 29, the conference Death in the Eyes 2: Philosophical Perspectives on Film Genres and Death will take place at NOVA FCSH (Berna Campus).  Organized by Lucas Ferraço Nassif, Marco Grosoli, Pedro Inock, Susana Viegas, Tiago Cravidão and Vasco Marques, all members of the FILM AND DEATH team, this conference aims to […]
21/05/2026

Susana Viegas at Stanley Cavell at 100: An International Centennial Conference

Susana Viegas is presenting her talk, “Cavell on Film and Death” at the Stanley Cavell at 100: An International Centennial Conference, taking place from 4-6 June 2026 at the Université Paris 1 Panthéon-Sorbonne. On 5 June, 16:00-18:00, she will join Jean-Michel Frodon, Jeroen Gerrits, and Ted Nannicelli in a panel chaired by Sandra Laugier. Her […]
20/05/2026

Screening of “Mãe Fátima” (2009), by Christine Reeh-Peters at Death in the Eyes 2

On May 27-29, FILM AND DEATH will be hosting the conference Death in the Eyes 2: Philosophical Perspectives on Film Genres and Death, organized by team members Lucas Ferraço Nassif, Marco Grosoli, Pedro Inock, Susana Viegas, Tiago Cravidão and Vasco Marques. The first day will include a screening of Mãe Fátima (2009), a documentary by […]
18/05/2026

Diana Neiva at MAK2026: Mind, Art, Knowledge

Between June 15 and 17, Diana Neiva will be present at MAK2026 – Mind, Art, Knowledge: Dialogues Between Cognitive Science, Artistic Practice and Philosophy, at the KVAB – Rubensauditorium, in Brussels. This three-day symposium brings together artists, artistic researchers, philosophers, and cognitive scientists. It will investigate how artistic knowing emerges from the interplay of perception, […]
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Funded by the European Union (ERC, FILM AND DEATH, 101088956). Views and opinions expressed are however those of the author(s) only and do not necessarily reflect those of the European Union or the European Research Council Executive Agency. Neither the European Union nor the granting authority can be held responsible for them.

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