18/11/2024

The Film-Phil Lisbon Seminars: Lucas Ferraço Nassif

The next Film-Phil Lisbon Seminar will be led by Lucas Ferraço Nassif who will talk about “Where the Desertshore Was, There Should Be the Crypt”.

ABSTRACT Assembled by Nicolas Abraham and Maria Torok in the book “Le Verbier de L’Homme aux Loups” (1976), cryptonymy — here in this presentation twisted to cryptonomy: a tool of both research and production of more philosophical concepts, an operator of libidinal economy and its intensities that is thinking the laws which are organizing the transits between the I and the Other — is a way of reading and writing with an undecipherable crypt that guarantees the impenetrability of the intra-symbolic inner worlds of the image. Yet, what are the contributions of cryptonomy, a concept from psychoanalysis, to philosophy, more specifically to philosophy or art and film, and for those who work with images? What philosophy can learn as a method with concepts that come from psychoanalytic clinics? What are the philosophical effects of operating with cryptonomy and “Twin Peaks: The Return” (2017)? As a tool of both research and production of concepts, what happens when cryptonomy is used to think and to feel with the TV show created by Mark Frost and David Lynch? To formulate a hypothesis, we debate Part 8 and the impact of the Trinity Test on the image of the desertshore — which will incorporate the explosion and its radiation, mutating its semiotic diagram of forces and building the crypt. “Twin Peaks: The Return” activates cryptonomy on the strength of its mysteries that will not be solved or have secured interpretations, confronting phallic comprehension. Thus, with cryptonomy, we may learn how to see and to listen to images on both the limit of meaning and the threshold of chaos. This presentation is part of my new book “Unconscious/Television”, soon to be published by Becoming Press.

The session is hybrid and will be held on November 20, 2024, at 15:00 PM (Lisbon time), at Colégio Almada Negreiros (room SA) and online, via Zoom. To receive information about joining the meeting online, it’s mandatory to register in advance here.

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26/02/2026

4 Filmes, 4 Conversas: Saúde Mental, Trabalho e Género

In partnership with NOVA FCSH, Teatro Avenidas and the BANDUA project, the FILM AND DEATH project presents the Film and Debate Cycle 4 Filmes, 4 Conversas: Saúde Mental, Trabalho e Género [4 Films, 4 Conversations: Mental Health, Work and Gender], curated by Susana Viegas, Lucas Ferraço Nassif, Pedro Florêncio e Nuno Mora. Taking advantage of […]
26/02/2026

The Film-Phil Lisbon Seminars: Daniel Conway

March’s Film-Phil Lisbon Seminar will be led by Daniel Conway (Texas A&M University) who will talk about “Matters of Life and Death: The Nietzschean Imperative in Contemporary Science Fiction Films”. Abstract A major achievement of films in the genre of science fiction over the past half century is their collective success in depicting various iterations […]
30/09/2025

Extended Deadline! CfP Special Issue on Swan Songs: Philosophical Reflections on Death, Time, and Memory in Testament Films

We are happy to announce the new home for the Special Issue “Swan Songs: Philosophical Reflections on Death, Time, and Memory in Testament Films”!  The editors have chosen to publish it in Arts, an international, peer-reviewed, open-access journal (also published online by MDPI) devoted to research on all facets of the visual and performing arts, […]
10/03/2026

Welcome Vanessa Freerks, our new resident!

We are very pleased to welcome Vanessa Freerks as the third short-term resident to join our  team. Vanessa Freerks (PhD, University of Johannesburg, South Africa) is a research fellow at the University of Fort Hare (South Africa) at the Centre For Leadership Ethics in Africa (CLEA). In line with her main research interests (consumer society, temporality, technology and […]
06/03/2026

Presenting Film and Death: A Conceptual Knowledge Map

We are pleased to announce the launch of Film and Death: A Conceptual Knowledge Map, a dataset developed within the FILM AND DEATH project. Guided by the focus question “How does film make us think about death?,” the map visualizes the network of relations between films, filmmakers, formal strategies, concepts, and thematic subjects, highlighting their philosophical […]
05/03/2026

Lucas Ferraço Nassif at the Congreso Internacional Sobre Psicoanálisis y Arte

Our post-doctoral fellow, Lucas Ferraço Nassif, will be present at the Congreso Internacional Sobre Psicoanálisis y Arte: Al Encontro de lo Real, on March 17-20, at the Facultad de Filosofía, Universidad Complutense de Madrid. His presentation is titled “Contemporary Post-Lacanian Psychoanalysis: Shimmering Unconscious and Death-Images”. ABSTRACT How do moving images and sounds operate analyses of […]
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Funded by the European Union (ERC, FILM AND DEATH, 101088956). Views and opinions expressed are however those of the author(s) only and do not necessarily reflect those of the European Union or the European Research Council Executive Agency. Neither the European Union nor the granting authority can be held responsible for them.

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