15/07/2025

Book Discussion: Queer Post-Cinema, by Astrid Deuber-Mankowsky

On September 25, 2025, a discussion will take place about the book Queer Post-Cinema: Reinventing Resistance (ICI Berlin Press 2025), by Astrid Deuber-Mankowsky. The discussion will be held in English, in the auditorium C1 of NOVA FCSH (Campus Av. de Berna) and will feature the author, Susana Viegas and Iracema Dulley.

This event is included in NOVA's project "A Thick Cloud of Love". The full program is available here.

About the book:

The pioneers of what has been labelled New Queer Cinema laid the foundation for a Queer Post-Cinema — a movement in which artists experiment with technology in innovative ways. Through original readings of Todd Haynes’s early films, Sharon Hayes and Yael Bartana’s videos and installations, Su Friedrich’s digital video Seeing Red, Charlie Prodgers’s iPhone film Bridgit, and Claire Denis’s science-fiction film Highlife, this monograph shows how artists are creating a new form of resistance in the time of the digital image and generative AI.

Astrid Deuber-Mankowsky is Professor of Media Studies and Gender Studies at the Ruhr-Universität Bochum. She studied philosophy and German literature at the University of Zurich and the Freie Universität zu Berlin. Before joining the Ruhr-Universität Bochum, she taught at the Institut für Kulturwissenschaft at the Humboldt-Universität Berlin from 1996 to 2004. She is co-founder and was editor of the journal Die Philosophin. Forum für feminstische Theorie und Philosophie from 1990 to 2004. She was a visiting scholar at UC Berkeley (2007), visiting professor at the Centre d’études du vivant, Université Paris VII – Diderot (2010), senior fellow at the Internationales Kolleg für Kulturtechnikforschung und Medienphilosophie (IKKM) Weimar (2013), and Max Kade Professor at Columbia University (2012 and 2017). She is also an external affiliate of the Centre for Philosophy and Critical Thought at Goldsmiths, University of London. Her research focuses on topics in critical, feminist and queer theory, media philosophy and epistemology, temporality and media aesthetics, media anthropology and theories of play, as well as Jewish philosophy. In cooperation with the ICI Berlin she has organized several international conferences: ‘Situiertes Wissen und regionale Epistemologie/Savoirs situés et épistémologie régionale’, 24-26 February 2011 (concept and organization Astrid Deuber-Mankowsky and Christoph Holzhey), ‘Unentrinnbares, Unzerstörbares? Symposium anlässlich des 70. Geburtstags von Itta Shedletzky’, 21-22 March 2013 (concept and organization Bettina Banasch and Astrid Deuber-Mankowsky), ‘Conatus und Lebensnot, Konzepte des Überlebens’, 15-17 January 2015 (concept and organization Astrid Deuber-Mankowsky and Anna Tuschling).

Iracema Dulley holds a BA in philosophy and a PhD in social anthropology from the University of São Paulo and is a practicing psychoanalyst. She has been appointed Assistant Researcher at the Institute of Social Sciences of the University of Lisbon. Her research considers processes of subject constitution from an interdisciplinary perspective. She has conducted fieldwork in and archival research on colonial and post-colonial Angola and her publications focus on ethnographic theorization, the case study, witchcraft, translation, naming practices, and processes of differentiation related to race, ethnicity, gender, and sexuality.

Film and Death
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02/06/2026

Workshop: Introduction to Videographic Criticism, Cinema & Video Art

On June 16 and July 8, 15:00-18:00 WEST, David H. Fleming and Pedro Inock, members of the FILM AND DEATH team, will lead the workshop “Introduction to Videographic Criticism, Cinema & Video Art”. Throughout the two-session workshop, participants will explore videographic criticism, video essays, and video art as forms of research, thinking, and artistic practice. […]
09/06/2026

The Film-Phil Lisbon Seminars: Marina Christodoulou

June’s next Film-Phil Lisbon Seminar will be led by our visiting researcher Marina Christodoulou (Constructor (Jacobs) University) who will talk about “Cinema Keeps What It Cannot Save: Death, Duration, and the Ontology of the Moving Image”. Abstract This talk and accompanying essay-film will examine cinema as a medium in which death is not merely represented but […]
08/06/2026

Welcoming Marina Christodoulou

We are very happy to welcome our new resident, Marina Christodoulou, to the FILM AND DEATH team! Marina Christodoulou is a Lecturer in Philosophy at Constructor (Jacobs) University, Bremen and a visiting Lecturer in the Department of Philosophy and in the Gender Centre at the University of Klagenfurt; she has taught in various universities in […]
03/06/2026

New article by Diana Neiva published in our Arts Special Issue on Swan Songs

The guest editors of the Arts’ Special Issue on Swan Songs: Philosophical Reflections on Death, Time, and Memory in Testament Films, Vasco Baptista Marques and Susana Viegas, are pleased to announce the publication of a new open-access article: “Rebooting Death: Wes Craven’s Scream 4 as Testament Film” by Diana Neiva. This paper examines Wes Craven’s Scream 4 (2011) […]
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Funded by the European Union (ERC, FILM AND DEATH, 101088956). Views and opinions expressed are however those of the author(s) only and do not necessarily reflect those of the European Union or the European Research Council Executive Agency. Neither the European Union nor the granting authority can be held responsible for them.

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