15/07/2025

Book Discussion: Queer Post-Cinema, by Astrid Deuber-Mankowsky

On September 25, 2025, a discussion will take place about the book Queer Post-Cinema: Reinventing Resistance (ICI Berlin Press 2025), by Astrid Deuber-Mankowsky. The discussion will be held in English, in the auditorium C1 of NOVA FCSH (Campus Av. de Berna) and will feature the author, Susana Viegas and Iracema Dulley.

This event is included in NOVA's project "A Thick Cloud of Love". The full program is available here.

About the book:

The pioneers of what has been labelled New Queer Cinema laid the foundation for a Queer Post-Cinema — a movement in which artists experiment with technology in innovative ways. Through original readings of Todd Haynes’s early films, Sharon Hayes and Yael Bartana’s videos and installations, Su Friedrich’s digital video Seeing Red, Charlie Prodgers’s iPhone film Bridgit, and Claire Denis’s science-fiction film Highlife, this monograph shows how artists are creating a new form of resistance in the time of the digital image and generative AI.

Astrid Deuber-Mankowsky is Professor of Media Studies and Gender Studies at the Ruhr-Universität Bochum. She studied philosophy and German literature at the University of Zurich and the Freie Universität zu Berlin. Before joining the Ruhr-Universität Bochum, she taught at the Institut für Kulturwissenschaft at the Humboldt-Universität Berlin from 1996 to 2004. She is co-founder and was editor of the journal Die Philosophin. Forum für feminstische Theorie und Philosophie from 1990 to 2004. She was a visiting scholar at UC Berkeley (2007), visiting professor at the Centre d’études du vivant, Université Paris VII – Diderot (2010), senior fellow at the Internationales Kolleg für Kulturtechnikforschung und Medienphilosophie (IKKM) Weimar (2013), and Max Kade Professor at Columbia University (2012 and 2017). She is also an external affiliate of the Centre for Philosophy and Critical Thought at Goldsmiths, University of London. Her research focuses on topics in critical, feminist and queer theory, media philosophy and epistemology, temporality and media aesthetics, media anthropology and theories of play, as well as Jewish philosophy. In cooperation with the ICI Berlin she has organized several international conferences: ‘Situiertes Wissen und regionale Epistemologie/Savoirs situés et épistémologie régionale’, 24-26 February 2011 (concept and organization Astrid Deuber-Mankowsky and Christoph Holzhey), ‘Unentrinnbares, Unzerstörbares? Symposium anlässlich des 70. Geburtstags von Itta Shedletzky’, 21-22 March 2013 (concept and organization Bettina Banasch and Astrid Deuber-Mankowsky), ‘Conatus und Lebensnot, Konzepte des Überlebens’, 15-17 January 2015 (concept and organization Astrid Deuber-Mankowsky and Anna Tuschling).

Iracema Dulley holds a BA in philosophy and a PhD in social anthropology from the University of São Paulo and is a practicing psychoanalyst. She has been appointed Assistant Researcher at the Institute of Social Sciences of the University of Lisbon. Her research considers processes of subject constitution from an interdisciplinary perspective. She has conducted fieldwork in and archival research on colonial and post-colonial Angola and her publications focus on ethnographic theorization, the case study, witchcraft, translation, naming practices, and processes of differentiation related to race, ethnicity, gender, and sexuality.

Film and Death
Film and Death
  • About
    • Background and key aims
    • Overview
    • Team
    • Advisory Board
    • Related projects
    • References
  • Film-Phil Seminars
  • Knowledge Map
  • Outreach
    • Conferences
    • Reading Groups
    • Media
  • Publications
    • Articles
    • Books
  • VIDEOS
  • Blog
  • Job openings
  • Contact

Blog

Tags
Alain Resnais Alfred Hitchcock Animation anime Anna Elsner Anti-image Architecture and Cinema Bande Dessinée Bárbara Bergamaschi Béla Tarr Bernd Herzogenrath Bill Morrison Book Discussion Byron Davies Call for Papers Calls Catherine Malabou Catherine Wheatley Cátia Rodrigues Chantal Akerman Christine Reeh-Peters Cinema Journal of Philosophy Cinema Studies CJPMI Conceptual Knowledge Map Conferences Corey P. Cribb Cristóbal Escobar Daniel Conway David Ferragut David H. Fleming David Lynch Davide Sisto Death and Technology Death-Image Deleuze Derrida Disappearence End-of-life care Events Farshad Zahedi Félix Guattari Female Biopic FIlm Film and Death Film Philosophy Film Studies Film-Phil Seminar Gilles Deleuze Grief Gülce Zeynep Bektaş Ingrid Rodrigues Gonçalves Jacques Derrida Jaime Pena Jakob A. Nilsson James Williams Jamieson Webster Japan Jean-Marc Rochette Jonathan Glazer Kanen Barad Lacrimae Rerum Lucas Ferraço Nassif Lucy Bolton Manoel de Oliveira Marc Cerisuelo Marco Grosoli Media Studies Michael Cholbi Michael Haneke Mortality Muhammad Haris Nélio Conceição New Queer Cinema Outi Hakola Palliative Care Paolo Taviani Patrícia Castello Branco Patricio Guzmán Pedro Inock Philosophy of Death Posthumanism Publications Queer Post-Cinema Queer Studies Reading Group Robert Sinnerbrink Salomé Lamas Seán Cubbit Short-Term Residencies Slavoj Žižek Slow Cinema Stanley Cavell Star Biopic Susana Viegas Swan Songs Testament Films Thanatology Thomas E. Wartenberg Thomas Lamarre Tiago Cravidão Time-Image Vasco Baptista Marques Video Visiting Researcher Walter Benjamin
26/02/2026

4 Filmes, 4 Conversas: Saúde Mental, Trabalho e Género

In partnership with NOVA FCSH, Teatro Avenidas and the BANDUA project, the FILM AND DEATH project presents the Film and Debate Cycle 4 Filmes, 4 Conversas: Saúde Mental, Trabalho e Género [4 Films, 4 Conversations: Mental Health, Work and Gender], curated by Susana Viegas, Lucas Ferraço Nassif, Pedro Florêncio e Nuno Mora. Taking advantage of […]
26/02/2026

The Film-Phil Lisbon Seminars: Daniel Conway

March’s Film-Phil Lisbon Seminar will be led by Daniel Conway (Texas A&M University) who will talk about “Matters of Life and Death: The Nietzschean Imperative in Contemporary Science Fiction Films”. Abstract A major achievement of films in the genre of science fiction over the past half century is their collective success in depicting various iterations […]
30/09/2025

Extended Deadline! CfP Special Issue on Swan Songs: Philosophical Reflections on Death, Time, and Memory in Testament Films

We are happy to announce the new home for the Special Issue “Swan Songs: Philosophical Reflections on Death, Time, and Memory in Testament Films”!  The editors have chosen to publish it in Arts, an international, peer-reviewed, open-access journal (also published online by MDPI) devoted to research on all facets of the visual and performing arts, […]
10/03/2026

Welcome Vanessa Freerks, our new resident!

We are very pleased to welcome Vanessa Freerks as the third short-term resident to join our  team. Vanessa Freerks (PhD, University of Johannesburg, South Africa) is a research fellow at the University of Fort Hare (South Africa) at the Centre For Leadership Ethics in Africa (CLEA). In line with her main research interests (consumer society, temporality, technology and […]
06/03/2026

Presenting Film and Death: A Conceptual Knowledge Map

We are pleased to announce the launch of Film and Death: A Conceptual Knowledge Map, a dataset developed within the FILM AND DEATH project. Guided by the focus question “How does film make us think about death?,” the map visualizes the network of relations between films, filmmakers, formal strategies, concepts, and thematic subjects, highlighting their philosophical […]
05/03/2026

Lucas Ferraço Nassif at the Congreso Internacional Sobre Psicoanálisis y Arte

Our post-doctoral fellow, Lucas Ferraço Nassif, will be present at the Congreso Internacional Sobre Psicoanálisis y Arte: Al Encontro de lo Real, on March 17-20, at the Facultad de Filosofía, Universidad Complutense de Madrid. His presentation is titled “Contemporary Post-Lacanian Psychoanalysis: Shimmering Unconscious and Death-Images”. ABSTRACT How do moving images and sounds operate analyses of […]
1234…34
Hosted by
Supported by

Funded by the European Union (ERC, FILM AND DEATH, 101088956). Views and opinions expressed are however those of the author(s) only and do not necessarily reflect those of the European Union or the European Research Council Executive Agency. Neither the European Union nor the granting authority can be held responsible for them.

DESIGN