Marco Grosoli – Page 3 – Film and Death

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31/01/2025

Paolo Taviani’s Leonora addio (2022): A Look at Cultural Politics “Through the Eyes of Those Who Are No Longer”

Marco Grosoli will give a talk at University of Massachusetts Amherst, organized by its Department of Languages, Literatures and Cultures and the Film Studies Program. Abstract At the time of its release in 2022, Leonora addio was welcomed mostly as a harmless cinematic oddity. Yet there is more than meets the eye. For one thing, Leonora addio, the […]

22/12/2024

Marco Grosoli’s new “Film Tv” article

Film TV weekly magazine has spotlighted our project and included Marco Grosoli‘s expertly curated list of the best ‘Filmografia Terminale’! @ Film TV weekly magazine, n° 48, November 26 2024, pp. 9-11.

03/10/2024

NEW Reading Group on Malabou’s “Destructive Plasticity” – Spring 2025

Catherine Malabou is mostly known as the philosopher of plasticity, a concept she drew mainly from her groundbreaking interpretation of Hegel. Not only “the nature of that which is ‘plastic’, being at once capable of receiving and of giving form”, plasticity is also the destruction of form as its non-transcendental condition of possibility. “Destructive plasticity” thus concerns the […]

01/10/2024

Marco Grosoli’s new open-access article explores Plasticity in Rivette’s Film Criticism

This article shows the productiveness of “plasticity” (a concept famously developed by French philosopher Catherine Malabou) for cinema, by using Jacques Rivette’s film criticism as a detailed case study. In several greatly influential writings (which have, among others, decisively contributed to the formation of the French New Wave), Rivette relied on an interpretation of Hegel’s philosophy […]