Marco Grosoli’s new open-access article explores Plasticity in Rivette’s Film Criticism
This article shows the productiveness of “plasticity” (a concept famously developed by French philosopher Catherine Malabou) for cinema, by using Jacques Rivette’s film criticism as a detailed case study. In several greatly influential writings (which have, among others, decisively contributed to the formation of the French New Wave), Rivette relied on an interpretation of Hegel’s philosophy […]
