Film and Death
Film and Death
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27/06/2024

Deleuze & Guattari Studies Conference | 2024

Lucas Nassif is presenting at the DGS24, hosted by TU Delft: “Films schizoanalyze: Subjects and Objects in Psychoanalysis and Schizoanalysis” Abstract How do films schizoanalyze? Films build worlds and bodies, in multinaturalism; filmmakers can be both analysts and philosophers writing with, against, in neighborhood with other analysts and philosophers. This paper aims to think about […]
25/06/2024

Film-Philosophy Conference 2024 | Panels

Between July 1 and 3, the Film-Philosophy Conference 2024 will take place in Espinho. The conference is organised by colleagues from the University of British Columbia, the NOVA Institute of Philosophy (NOVA University Lisbon), and the University of Coimbra, in partnership with the FEST Film Festival. 1 July (5:30–7:00 pm) Film and Death #1 | Chair: […]
17/04/2024

CfP The Anime Philosophy

Edited by Patrícia Castello Branco, Susana Viegas, and Lucas Ferraço Nassif (IFILNOVA) Cinema: Journal of philosophy and the Moving Image (Scopus and Web of Science indexed) is pleased to announce a new Call for Papers for its 16th issue on The Anime Philosophy. In recent decades, Japanese television animation, Anime, a highly conceptualized, popular, and thought-provoking style […]
04/01/2024

New ebook by Lucas Ferraço Nassif

Missing Links, A Book in Ten Sessions is Lucas Ferraço Nassif‘s elaboration on the work of art in Gilles Deleuze and Félix Guattari through description, time, cosmology, and desire production. The films of Chantal Akerman, alongside Anne Carson and Ludwig Wittgenstein, are his main objects of study. The book is available, open access, at Barakunan’s website.
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Funded by the European Union (ERC, FILM AND DEATH, 101088956). Views and opinions expressed are however those of the author(s) only and do not necessarily reflect those of the European Union or the European Research Council Executive Agency. Neither the European Union nor the granting authority can be held responsible for them.

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