Call for Papers – Film and Death

Tags

Alain Resnais Alfred Hitchcock Animation anime Anna Elsner Anti-image Architecture and Cinema Bande Dessinée Bárbara Bergamaschi Béla Tarr Bernd Herzogenrath Bill Morrison Book Discussion Byron Davies Call for Papers Calls Catherine Malabou Catherine Wheatley Chantal Akerman Christine Reeh-Peters Cinema Journal of Philosophy Cinema Studies CJPMI Conferences Corey P. Cribb Cristóbal Escobar David Ferragut David H. Fleming David Lynch Davide Sisto Death and Technology Death-Image Deleuze Derrida Disappearence End-of-life care Events Farshad Zahedi Félix Guattari Female Biopic FIlm Film and Death Film Philosophy Film Studies Film-Phil Seminar Gilles Deleuze Grief Gülce Zeynep Bektaş Ingrid Rodrigues Gonçalves Jacques Derrida Jaime Pena Jakob A. Nilsson James Williams Jamieson Webster Japan Jean-Marc Rochette Jonathan Glazer Kanen Barad Lacrimae Rerum Lucas Ferraço Nassif Lucy Bolton Manoel de Oliveira Marc Cerisuelo Marco Grosoli Media Studies Michael Cholbi Michael Haneke Mortality Muhammad Haris Nélio Conceição New Queer Cinema Outi Hakola Paolo Taviani Patrícia Castello Branco Patricio Guzmán Pedro Inock Philosophy of Death Posthumanism Publications Queer Post-Cinema Queer Studies Reading Group Robert Sinnerbrink Salomé Lamas Seán Cubbit Slavoj Žižek Slow Cinema Stanley Cavell Star Biopic Susana Viegas Swan Songs Testament Films Thanatology Thomas E. Wartenberg Thomas Lamarre Time-Image Vasco Baptista Marques Video Visiting Researcher Walter Benjamin

01/10/2025

CfP Death in the Eyes 2: Philosophical Perspectives on Film Genres and Death

NOVA University Lisbon, 28-29 May, 2026 Keynote Speakers: Michele Aaron (University of Warwick) and Jean-Baptiste Thoret (Universitéde Poitiers) Like philosophical categories, film genres function as ways of unifying the manifold of experience, determining under what conditions the particular can be subsumed under the universal. This effort of inclusion lies at the very root of Western […]

30/09/2025

Extended Deadline! CfP Special Issue on Swan Songs: Philosophical Reflections on Death, Time, and Memory in Testament Films

We are happy to announce the new home for the Special Issue “Swan Songs: Philosophical Reflections on Death, Time, and Memory in Testament Films”! The editors have chosen to publish it in Arts, an international, peer-reviewed, open-access journal (also published online by MDPI) devoted to research on all facets of the visual and performing arts, […]

25/09/2025

New article by Marco Grosoli

A new open-access article by Marco Grosoli is out now, having been published in Arts as part of the Special Issue Swan Songs: Philosophical Reflections on Death, Time, and Memory in Testament Films. The article “Wrapping Up “Through the Eyes of Those Who Are No Longer”: Paolo Taviani’s Leonora addio (2022)” is available here. In […]

10/02/2025

CfP Revista de Comunicação e Linguagens nº. 63: “Death-Images: Revisiting Deleuze’s “Time-Image” in cinema after 1985”

Death-Images: Revisiting Deleuze’s “Time-Image” in cinema after 1985 In her article “Death as Film-Philosophy’s Muse: Deleuzian Observations on Moving Images and the Nature of Time,” Susana Viegas has shown that Gilles Deleuze’s concept of the “time-image” (i.e. a way for moving images to present time breaking with the conception of the latter as a discrete […]