Film and Death
Film and Death
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Aesthetics Alain Resnais Alfred Hitchcock Animation anime Anna Elsner Anti-image Architecture and Cinema Archive Artistic Studies Bande Dessinée Bárbara Bergamaschi Béla Tarr Bernd Herzogenrath Bill Morrison Book Discussion Byron Davies Call Call for Papers Call for Works Calls Catherine Malabou Catherine Wheatley Cátia Rodrigues Chantal Akerman Christian Petzold Christine Reeh-Peters Cían Ó Donnchadha Cinema Journal of Philosophy Cinema Studies CJPMI Conceptual Knowledge Map Conferences Corey P. Cribb Cristóbal Escobar Daniel Conway David Ferragut David H. Fleming David Lynch Davide Sisto Death and Technology Death in the Eyes 2 Death-Image Deleuze Derrida Diana Neiva Disappearence End-of-life care Events Farshad Zahedi Félix Guattari Female Biopic FIlm Film and Death Film Genres Film Philosophy Film Studies Film-Phil Seminar Gilles Deleuze Grief Gülce Zeynep Bektaş Ingrid Rodrigues Gonçalves Jacques Derrida Jaime Pena Jakob A. Nilsson James Williams Jamieson Webster Japan Jean-Marc Rochette Jonathan Glazer Kanen Barad Lacrimae Rerum Laurence Kent Lucas Ferraço Nassif Lucy Bolton Manoel de Oliveira Marc Cerisuelo Marco Grosoli Media Studies Memory Michael Cholbi Michael Haneke Mortality Muhammad Haris Natacha Gallucci Nélio Conceição New Queer Cinema Open Call Outi Hakola Palliative Care Paolo Taviani Patrícia Castello Branco Patricio Guzmán Pedro Inock Performance Philosophy of Cinema Philosophy of Death Posthumanism Publications Queer Post-Cinema Queer Studies Reading Group Research Grant Robert Sinnerbrink Salomé Lamas Seán Cubbit Short-Term Residencies Slavoj Žižek Slow Cinema Stanley Cavell Star Biopic Susana Viegas Swan Songs Testament Films Thanatology Thomas E. Wartenberg Thomas Lamarre Tiago Cravidão Time-Image Vanessa Freerks Vasco Baptista Marques Video Videoart Violence Visiting Researcher Walter Benjamin Workshop
30/09/2025

Extended Deadline! CfP Special Issue on Swan Songs: Philosophical Reflections on Death, Time, and Memory in Testament Films

We are happy to announce the new home for the Special Issue “Swan Songs: Philosophical Reflections on Death, Time, and Memory in Testament Films”!  The editors have chosen to publish it in Arts, an international, peer-reviewed, open-access journal (also published online by MDPI) devoted to research on all facets of the visual and performing arts, […]
25/09/2025

New article by Marco Grosoli

A new open-access article by Marco Grosoli is out now, having been published in Arts as part of the Special Issue Swan Songs: Philosophical Reflections on Death, Time, and Memory in Testament Films. The article “Wrapping Up “Through the Eyes of Those Who Are No Longer”: Paolo Taviani’s Leonora addio (2022)” is available here. In […]
10/02/2025

CfP Revista de Comunicação e Linguagens nº. 63: “Death-Images: Revisiting Deleuze’s “Time-Image” in cinema after 1985”

Death-Images: Revisiting Deleuze’s “Time-Image” in cinema after 1985 In her article “Death as Film-Philosophy’s Muse: Deleuzian Observations on Moving Images and the Nature of Time,” Susana Viegas has shown that Gilles Deleuze’s concept of the “time-image” (i.e. a way for moving images to present time breaking with the conception of the latter as a discrete […]
06/01/2025

CfP Special Issue on Swan Songs: Philosophical Reflections on Death, Time, and Memory in Testament Films

Swan Songs: Philosophical Reflections on Death, Time, and Memory in Testament Films Dedicated to the last films of renowned filmmakers, often referred to as “testament films” or “swan songs,” this Special Issue will examine their thematic, narrative, and stylistic elements, viewing these final works as profound summations of their creators’ careers and philosophical syntheses of […]
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Funded by the European Union (ERC, FILM AND DEATH, 101088956). Views and opinions expressed are however those of the author(s) only and do not necessarily reflect those of the European Union or the European Research Council Executive Agency. Neither the European Union nor the granting authority can be held responsible for them.

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