

The next session of our Film-Phil Lisbon Seminars will be led by Seán Cubbit (University of Melbourne), who will talk about “Immortal Cinema”. Abstract We have always been told that everyone dies alone. A medium that tends to privilege individuals, film has tended to focus on these lonely deaths of isolated individuals, often treating them […]

Welcome to Byron Davies, our first resident!
We are very happy to announce the arrival of Byron Davies to our team, the first short-term resident we’ll receive until the Summer of 2026. Byron Davies is a researcher in philosophy, film programmer, and visual artist originally from the U.S. and a naturalized Mexican citizen. He is currently a Marie Skłodowska-Curie fellow at the […]

CfP Death in the Eyes 2: Philosophical Perspectives on Film Genres and Death
NOVA University Lisbon, 28-29 May, 2026 Keynote Speakers: Michele Aaron (University of Warwick) and Jean-Baptiste Thoret (Universitéde Poitiers) Like philosophical categories, film genres function as ways of unifying the manifold of experience, determining under what conditions the particular can be subsumed under the universal. This effort of inclusion lies at the very root of Western […]

Extended Deadline! CfP Special Issue on Swan Songs: Philosophical Reflections on Death, Time, and Memory in Testament Films
We are happy to announce the new home for the Special Issue “Swan Songs: Philosophical Reflections on Death, Time, and Memory in Testament Films”! The editors have chosen to publish it in Arts, an international, peer-reviewed, open-access journal (also published online by MDPI) devoted to research on all facets of the visual and performing arts, […]

New article by Marco Grosoli on zombies, Catherine Malabou and Freud’s ‘death drive’
A new open-access article by Marco Grosoli was just published in Ocula (35), a special issue dedicated to Zombesque. Sociosemiotica di un’epidemia culturale, curated by Andrea Bernardelli, Eduardo Grillo e Federico Montanari. This new article is titled “More Zombies than Zombies: Catherine Malabou’s ‘New Wounded’ and their Ethico-Political Implications, According to Victor Erice’s Cerrar los […]