24/09/2025

The Film-Phil Lisbon Seminars: Seán Cubbit

The next session of our Film-Phil Lisbon Seminars will be led by Seán Cubbit (University of Melbourne), who will talk about "Immortal Cinema".

Abstract We have always been told that everyone dies alone. A medium that tends to privilege individuals, film has tended to focus on these lonely deaths of isolated individuals, often treating them as unique events that start or end a story, fictional or documentary. James Dean’s character in "Rebel Without a Cause" experienced the planetarium scene of the heat death of the universe as a personal crisis. The Anthropocene is a collective existential trauma. Death is no longer an abrupt event but a slow global condition. The living inherit a vast repository of languages, knowledges and skills that are increasingly swallowed up in technologies that no longer belong to all of us. Even more depressing than ecological catastrophe is the thought that we will no longer be able to hand on what we made with our inheritance to future generations. Movies, in the era of their transition from film to video, have a special relation to mortality and the relation between past and future. This paper reflects on these themes in historical eco-cinema from the Lumières’ "Burning Oil Wells at Baku" to Herzog’s "Lessons of Darkness" ("Lektionen in Finsternis").

Seán Cubitt is Professorial Fellow of Screen Studies at the University of Melbourne. His publications include "The Cinema Effect" (2004), "EcoMedia" (2005), "The Practice of Light" (2014), "Finite Media: Environmental Implications of Digital Technologies" (2017), "Anecdotal Evidence: Ecocritique from Hollywood to the Mass Image" (2020) and two volumes of a trilogy on aesthetic politics, "Truth" (2023) and "Good" (2025). Co-editor of "Ecocinema 2" (2023), "The Ecocinema Reader: Theory and Practice", (2012) and "Ecomedia: Key Issues" (2015), he researches ecocritical approaches to the history and philosophy of media, media arts and technologies.

The session is hybrid and will be held on October 15, 2025, at 15h00 WEST / 17h00 EET, at NOVA FCSH (B201) and online, via Microsoft Teams.

Note that to receive information about joining the meeting online, it is mandatory to register here.

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24/08/2026

New Open Access article by Lucas Ferraço Nassif

We are happy to share that Lucas Ferraço Nassif, our post-doc researcher and FILM AND DEATH team member, has just published a new article titled “The epistemology of dizziness in psychoanalysis and schizoanalysis: Individuation, screen-based media, and the production of unconsciouses” in Revista Latinoamericana de Psicopatologia Fundamental (2026), no. 29. Concerned with the reconceptualization of […]
17/08/2026

New publication by Susana Viegas

Can a firefly and a toxic spore make us think differently about death? In her latest book chapter, Susana Viegas explores how Nausicaä of the Valley of the Wind and Grave of the Fireflies invite us to reflect on mortality through what she calls the death-image. Spores and fireflies, one commonly associated with toxicity, the other […]
07/08/2026

“Swan Songs: Philosophical Reflections on Death, Time, and Memory in Testament Films” is out now!

We are pleased to announce the completion of the Special Issue “Swan Songs: Philosophical Reflections on Death, Time, and Memory in Testament Films”, guest edited by Vasco Baptista Marques and Susana Viegas for Arts. The Special Issue brings together seven original articles examining testament films from a philosophical perspective. Rather than approaching filmmakers’ final works merely as […]
06/08/2026

New Open Access publication by Susana Viegas

We are pleased to share that the book chapter “Derrida on Cinema’s Spectral Images: Time, Repetition, and Belief” by PI Susana Viegas is now available in Open Access through the publisher Brill. Published in “Derrida and Film Studies”, edited by Kamil Lipiński and Andrzej Marzec (Brill, 2025), the chapter explores Jacques Derrida’s reflections on cinema […]
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