The article “A Imagem-Morrente: Sobre Decasia e Tributes-Pulse, de Bill Morrison” [“The Dying-Image: On Bill Morrison’s Decasia and Tributes-Pulse“] has just been published in the latest issue of Aniki (https://aim.org.pt/ojs/index.php/revista/article/view/1111). This essay reflects on Bill Morrison’s work through the concept of the “dying-image”—an image that gives visibility to the process of degradation inscribed in its own material support, […]
André Bazin: The Space of Myth
Marco Grosoli is presenting at André Bazin: The Space of Myth, an international film conference at Yale MacMillan Center: “Locating Sentiment—CloseUps in Sunset Blvd and Gold of Naples“ Abstract I will analyze André Bazin’s writings on Billy Wilder’s Sunset Boulevard (1950) and Vittorio de Sica’s The Gold of Naples (1954). As regards the former, Bazin […]
Paolo Taviani’s Leonora addio (2022): A Look at Cultural Politics “Through the Eyes of Those Who Are No Longer”
Marco Grosoli will give a talk at University of Massachusetts Amherst, organized by its Department of Languages, Literatures and Cultures and the Film Studies Program. Abstract At the time of its release in 2022, Leonora addio was welcomed mostly as a harmless cinematic oddity. Yet there is more than meets the eye. For one thing, Leonora addio, the […]
Film Studies Research Seminar Series of King’s College London
Susana Viegas is presenting at the Film Studies Research Seminar Series at the Department of Film Studies of King’s College London: “Do Androids Die? Exploring the Life and Death of Technological Beings”. Abstract This talk investigates a growing field of study: posthuman thanato-film analysis, situated at the intersection of philosophies of death, film, and technology. […]