24/09/2025

The Film-Phil Lisbon Seminars: Seán Cubbit

The next session of our Film-Phil Lisbon Seminars will be led by Seán Cubbit (University of Melbourne), who will talk about "Immortal Cinema".

Abstract We have always been told that everyone dies alone. A medium that tends to privilege individuals, film has tended to focus on these lonely deaths of isolated individuals, often treating them as unique events that start or end a story, fictional or documentary. James Dean’s character in "Rebel Without a Cause" experienced the planetarium scene of the heat death of the universe as a personal crisis. The Anthropocene is a collective existential trauma. Death is no longer an abrupt event but a slow global condition. The living inherit a vast repository of languages, knowledges and skills that are increasingly swallowed up in technologies that no longer belong to all of us. Even more depressing than ecological catastrophe is the thought that we will no longer be able to hand on what we made with our inheritance to future generations. Movies, in the era of their transition from film to video, have a special relation to mortality and the relation between past and future. This paper reflects on these themes in historical eco-cinema from the Lumières’ "Burning Oil Wells at Baku" to Herzog’s "Lessons of Darkness" ("Lektionen in Finsternis").

Seán Cubitt is Professorial Fellow of Screen Studies at the University of Melbourne. His publications include "The Cinema Effect" (2004), "EcoMedia" (2005), "The Practice of Light" (2014), "Finite Media: Environmental Implications of Digital Technologies" (2017), "Anecdotal Evidence: Ecocritique from Hollywood to the Mass Image" (2020) and two volumes of a trilogy on aesthetic politics, "Truth" (2023) and "Good" (2025). Co-editor of "Ecocinema 2" (2023), "The Ecocinema Reader: Theory and Practice", (2012) and "Ecomedia: Key Issues" (2015), he researches ecocritical approaches to the history and philosophy of media, media arts and technologies.

The session is hybrid and will be held on October 15, 2025, at 15h00 WEST / 17h00 EET, at NOVA FCSH (B201) and online, via Microsoft Teams.

Note that to receive information about joining the meeting online, it is mandatory to register here.

Film and Death
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24/09/2025

The Film-Phil Lisbon Seminars: Seán Cubbit

The next session of our Film-Phil Lisbon Seminars will be led by Seán Cubbit (University of Melbourne), who will talk about “Immortal Cinema”. Abstract We have always been told that everyone dies alone. A medium that tends to privilege individuals, film has tended to focus on these lonely deaths of isolated individuals, often treating them […]
01/10/2025

CfP Death in the Eyes 2: Philosophical Perspectives on Film Genres and Death

NOVA University Lisbon, 28-29 May, 2026 Keynote Speakers: Michele Aaron (University of Warwick) and Jean-Baptiste Thoret (Universitéde Poitiers) Like philosophical categories, film genres function as ways of unifying the manifold of experience, determining under what conditions the particular can be subsumed under the universal. This effort of inclusion lies at the very root of Western […]
30/09/2025

Extended Deadline! CfP Special Issue on Swan Songs: Philosophical Reflections on Death, Time, and Memory in Testament Films

We are happy to announce the new home for the Special Issue “Swan Songs: Philosophical Reflections on Death, Time, and Memory in Testament Films”!  The editors have chosen to publish it in Arts, an international, peer-reviewed, open-access journal (also published online by MDPI) devoted to research on all facets of the visual and performing arts, […]
30/09/2025

New article by Marco Grosoli on zombies, Catherine Malabou and Freud’s ‘death drive’

A new open-access article by Marco Grosoli was just published in Ocula (35), a special issue dedicated to Zombesque. Sociosemiotica di un’epidemia culturale, curated by Andrea Bernardelli, Eduardo Grillo e Federico Montanari. This new article is titled “More Zombies than Zombies: Catherine Malabou’s ‘New Wounded’ and their Ethico-Political Implications, According to Victor Erice’s Cerrar los […]
26/09/2025

Marco Grosoli at the University of Évora

On October 2-4, PRAXIS (Center of Philosophy, Politics and Culture of the Universty of Évora) will host the international congress Jacques Derrida e a Desconstrução, revisiting some of Derrida’s deconstruction most relevant contributions to contemporary thought. Marco Grosoli will present a paper titled “Beyond Deconstruction: Malabou’s plasticity in Manoel de Oliveira’s Vale Abraão and Espelho […]
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Funded by the European Union (ERC, FILM AND DEATH, 101088956). Views and opinions expressed are however those of the author(s) only and do not necessarily reflect those of the European Union or the European Research Council Executive Agency. Neither the European Union nor the granting authority can be held responsible for them.

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