18/11/2024

The Film-Phil Lisbon Seminars: Lucas Ferraço Nassif

The next Film-Phil Lisbon Seminar will be led by Lucas Ferraço Nassif who will talk about “Where the Desertshore Was, There Should Be the Crypt”.

ABSTRACT Assembled by Nicolas Abraham and Maria Torok in the book “Le Verbier de L’Homme aux Loups” (1976), cryptonymy — here in this presentation twisted to cryptonomy: a tool of both research and production of more philosophical concepts, an operator of libidinal economy and its intensities that is thinking the laws which are organizing the transits between the I and the Other — is a way of reading and writing with an undecipherable crypt that guarantees the impenetrability of the intra-symbolic inner worlds of the image. Yet, what are the contributions of cryptonomy, a concept from psychoanalysis, to philosophy, more specifically to philosophy or art and film, and for those who work with images? What philosophy can learn as a method with concepts that come from psychoanalytic clinics? What are the philosophical effects of operating with cryptonomy and “Twin Peaks: The Return” (2017)? As a tool of both research and production of concepts, what happens when cryptonomy is used to think and to feel with the TV show created by Mark Frost and David Lynch? To formulate a hypothesis, we debate Part 8 and the impact of the Trinity Test on the image of the desertshore — which will incorporate the explosion and its radiation, mutating its semiotic diagram of forces and building the crypt. “Twin Peaks: The Return” activates cryptonomy on the strength of its mysteries that will not be solved or have secured interpretations, confronting phallic comprehension. Thus, with cryptonomy, we may learn how to see and to listen to images on both the limit of meaning and the threshold of chaos. This presentation is part of my new book “Unconscious/Television”, soon to be published by Becoming Press.

The session is hybrid and will be held on November 20, 2024, at 15:00 PM (Lisbon time), at Colégio Almada Negreiros (room SA) and online, via Zoom. To receive information about joining the meeting online, it’s mandatory to register in advance here.

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16/04/2025

The Film-Phil Lisbon Seminars: Muhammad Haris

The next Film-Phil Lisbon Seminar will be led by Muhammad Haris (Habib University) who will talk about “Natural Language Generation and the Script for a Film on Genocide”. Muhammad Haris is the Director for the Program in Comparative Humanities at Habib University in Karachi, Pakistan. The program’s curriculum is grounded in cross-disciplinarity, cooperation, and a […]
11/03/2025

Reading Group on Catherine Malabou’s “Destructive Plasticity”

Catherine Malabou first arose to prominence in the International philosophical landscape in the 1990s, thanks to her groundbreaking interpretation of G. W. F. Hegel’s system as one revolving around plasticity, which eventually became the key concept of her own philosophical production. Itself a plastic concept, plasticity (“the nature of that which is ‘plastic’, being at once […]
22/05/2025

The Film-Phil Lisbon Seminars: Jeremi Szaniawski

The next session of our Film-Phil Lisbon Seminars will be led by Jeremi Szaniawski (UMass Amherst), who will talk about “Death, Dying, and the Death Throes (?) of Necrorealism in the Films of Alexander Sokurov and Yevgeny Yufit”. Abstract In the 1980s and 1990s, several filmmakers in late Soviet and post-Soviet Russia – including a […]
21/05/2025

Susana Viegas at Seminário Aberto de Estética (Institute of Philosophy of the University of Porto)

This May 30, from 3 to 6PM, Susana Viegas will speak at IFP – Institute of Philosophy of the University of Porto, at the Faculty of Arts and Humanities of the University of Porto, with a presentation titled “Memória, Morte e Ausência na “Trilogia do Chile” (2010-2019) de Patricio Guzmán”. In this talk, Susana Viegas […]
14/05/2025

Susana Viegas at filarch 25: architecture | cinema

On May 22 and 23, ESAD (Escola Superior de Artes e Design), in Caldas da Rainha, will host filarch 25, an international conference dedicated to architecture and cinema. Susana Viegas, the Principal Investigator at FILM AND DEATH, will give the opening keynote presentation: “Do Cemitério dos Inocentes ao cinema: a atualidade das Danças Macabras”. In […]
14/05/2025

Lucas Ferraço Nassif and Pedro Inock at IBERANIME Santarém 2025

On May 17, Lucas Ferraço Nassif and Pedro Inock, members of the FILM AND DEATH team will be at IBERANIME (CNEMA, Santarém), the biggest meeting of fans of japanese culture in Portugal. They will give a talk titled “Anime and Philosophy”, discussing this global phenomenon as a producer of knowledge and philosophical thought on very […]
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Funded by the European Union (ERC, FILM AND DEATH, 101088956). Views and opinions expressed are however those of the author(s) only and do not necessarily reflect those of the European Union or the European Research Council Executive Agency. Neither the European Union nor the granting authority can be held responsible for them.

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