15/07/2025

Book Discussion: Queer Post-Cinema, by Astrid Deuber-Mankowsky

On September 25, 2025, a discussion will take place about the book Queer Post-Cinema: Reinventing Resistance (ICI Berlin Press 2025), by Astrid Deuber-Mankowsky. The discussion will be held in English, in the auditorium A2 of NOVA FCSH (Campus Av. de Berna) and will feature the author, Susana Viegas and Iracema Dulley.

About the book:

The pioneers of what has been labelled New Queer Cinema laid the foundation for a Queer Post-Cinema — a movement in which artists experiment with technology in innovative ways. Through original readings of Todd Haynes’s early films, Sharon Hayes and Yael Bartana’s videos and installations, Su Friedrich’s digital video Seeing Red, Charlie Prodgers’s iPhone film Bridgit, and Claire Denis’s science-fiction film Highlife, this monograph shows how artists are creating a new form of resistance in the time of the digital image and generative AI.

Astrid Deuber-Mankowsky is Professor of Media Studies and Gender Studies at the Ruhr-Universität Bochum. She studied philosophy and German literature at the University of Zurich and the Freie Universität zu Berlin. Before joining the Ruhr-Universität Bochum, she taught at the Institut für Kulturwissenschaft at the Humboldt-Universität Berlin from 1996 to 2004. She is co-founder and was editor of the journal Die Philosophin. Forum für feminstische Theorie und Philosophie from 1990 to 2004. She was a visiting scholar at UC Berkeley (2007), visiting professor at the Centre d’études du vivant, Université Paris VII – Diderot (2010), senior fellow at the Internationales Kolleg für Kulturtechnikforschung und Medienphilosophie (IKKM) Weimar (2013), and Max Kade Professor at Columbia University (2012 and 2017). She is also an external affiliate of the Centre for Philosophy and Critical Thought at Goldsmiths, University of London. Her research focuses on topics in critical, feminist and queer theory, media philosophy and epistemology, temporality and media aesthetics, media anthropology and theories of play, as well as Jewish philosophy. In cooperation with the ICI Berlin she has organized several international conferences: ‘Situiertes Wissen und regionale Epistemologie/Savoirs situés et épistémologie régionale’, 24-26 February 2011 (concept and organization Astrid Deuber-Mankowsky and Christoph Holzhey), ‘Unentrinnbares, Unzerstörbares? Symposium anlässlich des 70. Geburtstags von Itta Shedletzky’, 21-22 March 2013 (concept and organization Bettina Banasch and Astrid Deuber-Mankowsky), ‘Conatus und Lebensnot, Konzepte des Überlebens’, 15-17 January 2015 (concept and organization Astrid Deuber-Mankowsky and Anna Tuschling).

Iracema Dulley holds a BA in philosophy and a PhD in social anthropology from the University of São Paulo and is a practicing psychoanalyst. She has been appointed Assistant Researcher at the Institute of Social Sciences of the University of Lisbon. Her research considers processes of subject constitution from an interdisciplinary perspective. She has conducted fieldwork in and archival research on colonial and post-colonial Angola and her publications focus on ethnographic theorization, the case study, witchcraft, translation, naming practices, and processes of differentiation related to race, ethnicity, gender, and sexuality.

Film and Death
Film and Death
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20/06/2025

The Film-Phil Lisbon Seminars: Bárbara Bergamaschi

The next session of our Film-Phil Lisbon Seminars will be led by Bárbara Bergamaschi (NOVA University Lisbon), who will talk about “Eroticism, Formlessness, and Death in Tscherkassky’s Cinematic Hauntology”. Abstract This paper examines the work of Austrian avant-garde filmmaker Peter Tscherkasskythrough the lens of Georges Bataille’s concepts of l’informe (the formless), eroticism, and expenditure. Positioned […]
06/01/2025

CfP Special Issue on Swan Songs: Philosophical Reflections on Death, Time, and Memory in Testament Films

Swan Songs: Philosophical Reflections on Death, Time, and Memory in Testament Films Dedicated to the last films of renowned filmmakers, often referred to as “testament films” or “swan songs,” this Special Issue will examine their thematic, narrative, and stylistic elements, viewing these final works as profound summations of their creators’ careers and philosophical syntheses of […]
15/07/2025

Book Discussion: Queer Post-Cinema, by Astrid Deuber-Mankowsky

On September 25, 2025, a discussion will take place about the book Queer Post-Cinema: Reinventing Resistance (ICI Berlin Press 2025), by Astrid Deuber-Mankowsky. The discussion will be held in English, in the auditorium A2 of NOVA FCSH (Campus Av. de Berna) and will feature the author, Susana Viegas and Iracema Dulley. About the book: The […]
14/07/2025

New article by Susana Viegas

A new open access and peer reviewd article by Susana Viegas is out now! The article “Memória e Ausência na “Trilogia do Chile” (2010-2019) de Patricio Guzmán” is published in Revista de Comunicação e Linguagens 62 (2025) – We are always the afterlife of others: a map for a pro-memory, edited by Catarina Laranjeiro and […]
25/06/2025

Vasco Baptista Marques at Post/Zeitgeist (Gerador/Goethe-Institut)

On July 10 7PM, Vasco Baptista Marques will be joined by neuroscientist Luísa Lopes in an informal conversation at the library of the Goethe-Institut in Lisbon. The theme for this session of Despertador, a series of informal encounters between two specialists on a specific thematic, will be “Novas Concepções sobre Vida e Morte” (“New Conceptions […]
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Funded by the European Union (ERC, FILM AND DEATH, 101088956). Views and opinions expressed are however those of the author(s) only and do not necessarily reflect those of the European Union or the European Research Council Executive Agency. Neither the European Union nor the granting authority can be held responsible for them.

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