22/05/2025

The Film-Phil Lisbon Seminars: Jeremi Szaniawski

The next session of our Film-Phil Lisbon Seminars will be led by Jeremi Szaniawski (UMass Amherst), who will talk about "Death, Dying, and the Death Throes (?) of Necrorealism in the Films of Alexander Sokurov and Yevgeny Yufit".

Abstract In the 1980s and 1990s, several filmmakers in late Soviet and post-Soviet Russia - including a group which went on to refer to itself as the 'necrorealists' - produced a series of films focusing on death, decay, and insanity, in aesthetics that often borrowed on the look of black-and-white 1920s and 1930s cinema. But these films (Yevgeny Yufit's 'Silver Heads' (1998), Alexander Sokurov's 'The Second Circle' (1990), or even Piotr Lutsik's 'Okraina' (1998)) did much more than just pastiche or parody these early Soviet cinema aesthetics, or even to allegorize the collapse of the regime and the social decay in the 1980s and 1990s in Russia. What will be argued in this lecture is the emergence of a new sublime - albeit a degraded one - centered around death and the vital energy it begets. These generative powers gave birth, in turn, to some of the most striking and unique characterizations and formal experiments in film history, and surely to some of its strangest affects.

Jeremi Szaniawski is associate professor of Comparative Literature and Film Studies, and the Amesbury Professor of Polish Language and Culture at the University of Massachusetts, Amherst. He is the author of 'The Cinema of Alexander Sokurov: Figures of Paradox' (2014), and the editor or translator of another nine volumes, all in film studies (most recently 'Kubrick's Mitteleuropa : the Central European Imaginary in the Films of Stanley Kubrick', 2024). He has published widely on Sokurov as well as other major figures of Russian cinema, including Andrey Tarkovsky, Aleksey Balabanov, and Aleksei Gherman.

This is an hybrid event. It will take place at room B201 (NOVA FCSH, Av. de Berna 26C, Lisbon) and online.

Note that to receive information about joining the meeting online, it is mandatory to register in advance: zoom link.

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25/06/2025

Vasco Baptista Marques at Post/Zeitgeist (Gerador/Goethe-Institut)

On July 10 7PM, Vasco Baptista Marques will be joined by neuroscientist Luísa Lopes in an informal conversation at the library of the Goethe-Institut in Lisbon. The theme for this session of Despertador, a series of informal encounters between two specialists on a specific thematic, will be “Novas Concepções sobre Vida e Morte” (“New Conceptions […]
20/06/2025

The Film-Phil Lisbon Seminars: Bárbara Bergamaschi

The next session of our Film-Phil Lisbon Seminars will be led by Bárbara Bergamaschi (NOVA University Lisbon), who will talk about “Eroticism, Formlessness, and Death in Tscherkassky’s Cinematic Hauntology”. Abstract This paper examines the work of Austrian avant-garde filmmaker Peter Tscherkasskythrough the lens of Georges Bataille’s concepts of l’informe (the formless), eroticism, and expenditure. Positioned […]
06/01/2025

CfP Special Issue on Swan Songs: Philosophical Reflections on Death, Time, and Memory in Testament Films

Swan Songs: Philosophical Reflections on Death, Time, and Memory in Testament Films Dedicated to the last films of renowned filmmakers, often referred to as “testament films” or “swan songs,” this Special Issue will examine their thematic, narrative, and stylistic elements, viewing these final works as profound summations of their creators’ careers and philosophical syntheses of […]
16/06/2025

Lucas Ferraço Nassif at the University of Essex and the Freud Museum

Lucas Ferraço Nassif will be present at the Nature and Its Discontents Conference SIPP/ISSP (International Society of Psychoanalysis and Philosophy), happening on June 25-27 at the University of Essex in Colchester and on June 29 at the Freud Museum in London. On June 27, he will give a presentation titled “Multiplanar Unconsciouses: Studying Ferenczi’s Thalassa […]
16/06/2025

Our team will be at the Film-Philosophy Conference 2025 (L-Università ta’ Malta)

From June 23 to June 25, the Valetta Campus of the University of Malta will host the Film-Philosophy Conference 2025. Our team will present a panel titled Death-Images, on the first day, June 23, at 3:45PM (Room 103). This panel explores the concept of the death-image through the work of Alain Resnais, focusing on what […]
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Funded by the European Union (ERC, FILM AND DEATH, 101088956). Views and opinions expressed are however those of the author(s) only and do not necessarily reflect those of the European Union or the European Research Council Executive Agency. Neither the European Union nor the granting authority can be held responsible for them.

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