22/05/2025

The Film-Phil Lisbon Seminars: Jeremi Szaniawski

The next session of our Film-Phil Lisbon Seminars will be led by Jeremi Szaniawski (UMass Amherst), who will talk about "Death, Dying, and the Death Throes (?) of Necrorealism in the Films of Alexander Sokurov and Yevgeny Yufit".

Abstract In the 1980s and 1990s, several filmmakers in late Soviet and post-Soviet Russia - including a group which went on to refer to itself as the 'necrorealists' - produced a series of films focusing on death, decay, and insanity, in aesthetics that often borrowed on the look of black-and-white 1920s and 1930s cinema. But these films (Yevgeny Yufit's 'Silver Heads' (1998), Alexander Sokurov's 'The Second Circle' (1990), or even Piotr Lutsik's 'Okraina' (1998)) did much more than just pastiche or parody these early Soviet cinema aesthetics, or even to allegorize the collapse of the regime and the social decay in the 1980s and 1990s in Russia. What will be argued in this lecture is the emergence of a new sublime - albeit a degraded one - centered around death and the vital energy it begets. These generative powers gave birth, in turn, to some of the most striking and unique characterizations and formal experiments in film history, and surely to some of its strangest affects.

Jeremi Szaniawski is associate professor of Comparative Literature and Film Studies, and the Amesbury Professor of Polish Language and Culture at the University of Massachusetts, Amherst. He is the author of 'The Cinema of Alexander Sokurov: Figures of Paradox' (2014), and the editor or translator of another nine volumes, all in film studies (most recently 'Kubrick's Mitteleuropa : the Central European Imaginary in the Films of Stanley Kubrick', 2024). He has published widely on Sokurov as well as other major figures of Russian cinema, including Andrey Tarkovsky, Aleksey Balabanov, and Aleksei Gherman.

This is an hybrid event. It will take place at room B201 (NOVA FCSH, Av. de Berna 26C, Lisbon) and online.

Note that to receive information about joining the meeting online, it is mandatory to register in advance: zoom link.

Film and Death
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20/08/2025

Lucas Ferraço Nassif at the Associazione Culturale Spiazzi

Following his ongoing collaboration with Becoming Press, which originated the release of his book Unconscious/Television (2025), post doctoral researcher Lucas Ferraço Nassif will be present at Πάμε Βενετία (pame venetia), a series of events celebrating the editor’s 10th book. Lucas will be speaking at the Associazione Culturale Spiazzi (Venice, Italy), on September 11, with a […]
19/08/2025

Marco Grosoli at the Goethe-Universität Frankfurt am Main

Marco Grosoli will be at the Goethe-Universität Frankfurt am Main, on August 20-22, for the conference Frankfurt 2025: Borders / DIALECTICS / Civility. Frankfurt 2025’s keynote speakers include Catherine Malabou, Geoffrey Bennington and Carolin Amlinger. Here is the abstract of his presentation, titled “Bordering Death. The Dialectics of Origin in Mysteries of Lisbon”: “Can the […]
11/08/2025

Response to “Death, Disappearance, and Digitality: Existential Meditations on Cinema, Anime and Media”, by Corey P. Cribb

This publication proceeds from a talk given by Corey P. Cribb (Technological University Dublin) at Discovering/Uncovering: The NECS 2025 Conference, Lusófona University, June 19, 2025 (NECS) The goal of my talk today is to situate presentations by Susana Viegas (“Wandering Toward the End: Existentialism and Death in Gerry”), Lucas Ferraço Nassif (“Into the Wired: Lain […]
11/08/2025

New article by Marco Grosoli on Apichatpong’s Cemetery of Splendour (2015)

A new article by our post-doctoral researcher Marco Grosoli is now out, published in Cinergie‘s latest issue, edited by Massimo Fusillo and Mirko Lino. Cinergie is an open-access, peer-reviewed, class-A journal and the full issue is available here. In his paper, titled “The Political Asleep: Non-Traumatic Spectrality in Apichatpong Weerasethakul’s Cemetery of Splendour”, Marco Grosoli […]
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Funded by the European Union (ERC, FILM AND DEATH, 101088956). Views and opinions expressed are however those of the author(s) only and do not necessarily reflect those of the European Union or the European Research Council Executive Agency. Neither the European Union nor the granting authority can be held responsible for them.

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