26/02/2025

On Gold and Ashes: Representing Trauma and the Aesthetics of Disappearance, with Salomé Lamas

Our first object of inquiry and care should be life. We know the reason for that as we are living beings in a situation in which the conditions of life are endangered. What has no place in this insisting ecological discourse is death. The fact that death is difficult to acknowledge is not new, but in our contemporary situation, death has a new face.

The project “Gold and Ashes” extends beyond representation to become an intimate act of excavation that proposes to mediate — materially, politically, and metaphysically — the reappropriation of death as a power and our sovereignty as mortal beings in the private and social spheres.

Through selected excerpts and a discussion around the project’s production mediated by Susana Viegas and Lucas Ferraço Nassif, with the artist and filmmaker Salomé Lamas, we will speculate on the implications of representing trauma and the aesthetics of disappearance.

This event will take place exclusively in person at NOVA FCSH on March 6th at 6:00 PM.

Salomé Lamas is a Portuguese filmmaker, visual artist and educator. For the last fifteen years and with a steady production of more than thirty projects, Salomé Lamas’ work has been contextualized in visual culture, artistic studies, and film studies, exhibited and distributed internationally in the fields of cinema (movie theatres, festivals, VOD streaming) and contemporary art (galleries, museums, art fairs, biennials). She has been developing an artistic practice which explores the embedded relation between representation and the narrative power of social reality while proposing something different. Around, but not beyond, the real: beyond, but not besides, the fictional. To address the efforts to expand such interstice she refers to her work as critical media practice parafictions.

Lamand is a research artist studio that advocates for parafiction by rejecting the boundaries between reality and fiction to rethink a state of uncertainty inherent to our historical moment through cinema/contemporary art. Lamaland’s analytical nature translates in meticulous visual outcomes and production strategies that range from film, to publications and installation. More info here.

📸 Gold and Ashes [2024], by Salomé Lamas

Film and Death
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20/08/2025

Lucas Ferraço Nassif at the Associazione Culturale Spiazzi

Following his ongoing collaboration with Becoming Press, which originated the release of his book Unconscious/Television (2025), post doctoral researcher Lucas Ferraço Nassif will be present at Πάμε Βενετία (pame venetia), a series of events celebrating the editor’s 10th book. Lucas will be speaking at the Associazione Culturale Spiazzi (Venice, Italy), on September 11, with a […]
19/08/2025

Marco Grosoli at the Goethe-Universität Frankfurt am Main

Marco Grosoli will be at the Goethe-Universität Frankfurt am Main, on August 20-22, for the conference Frankfurt 2025: Borders / DIALECTICS / Civility. Frankfurt 2025’s keynote speakers include Catherine Malabou, Geoffrey Bennington and Carolin Amlinger. Here is the abstract of his presentation, titled “Bordering Death. The Dialectics of Origin in Mysteries of Lisbon”: “Can the […]
11/08/2025

Response to “Death, Disappearance, and Digitality: Existential Meditations on Cinema, Anime and Media”, by Corey P. Cribb

This publication proceeds from a talk given by Corey P. Cribb (Technological University Dublin) at Discovering/Uncovering: The NECS 2025 Conference, Lusófona University, June 19, 2025 (NECS) The goal of my talk today is to situate presentations by Susana Viegas (“Wandering Toward the End: Existentialism and Death in Gerry”), Lucas Ferraço Nassif (“Into the Wired: Lain […]
11/08/2025

New article by Marco Grosoli on Apichatpong’s Cemetery of Splendour (2015)

A new article by our post-doctoral researcher Marco Grosoli is now out, published in Cinergie‘s latest issue, edited by Massimo Fusillo and Mirko Lino. Cinergie is an open-access, peer-reviewed, class-A journal and the full issue is available here. In his paper, titled “The Political Asleep: Non-Traumatic Spectrality in Apichatpong Weerasethakul’s Cemetery of Splendour”, Marco Grosoli […]
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Funded by the European Union (ERC, FILM AND DEATH, 101088956). Views and opinions expressed are however those of the author(s) only and do not necessarily reflect those of the European Union or the European Research Council Executive Agency. Neither the European Union nor the granting authority can be held responsible for them.

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