26/02/2025

On Gold and Ashes: Representing Trauma and the Aesthetics of Disappearance, with Salomé Lamas

Our first object of inquiry and care should be life. We know the reason for that as we are living beings in a situation in which the conditions of life are endangered. What has no place in this insisting ecological discourse is death. The fact that death is difficult to acknowledge is not new, but in our contemporary situation, death has a new face.

The project “Gold and Ashes” extends beyond representation to become an intimate act of excavation that proposes to mediate — materially, politically, and metaphysically — the reappropriation of death as a power and our sovereignty as mortal beings in the private and social spheres.

Through selected excerpts and a discussion around the project’s production mediated by Susana Viegas and Lucas Ferraço Nassif, with the artist and filmmaker Salomé Lamas, we will speculate on the implications of representing trauma and the aesthetics of disappearance.

This event will take place exclusively in person at NOVA FCSH on March 6th at 6:00 PM.

Salomé Lamas is a Portuguese filmmaker, visual artist and educator. For the last fifteen years and with a steady production of more than thirty projects, Salomé Lamas’ work has been contextualized in visual culture, artistic studies, and film studies, exhibited and distributed internationally in the fields of cinema (movie theatres, festivals, VOD streaming) and contemporary art (galleries, museums, art fairs, biennials). She has been developing an artistic practice which explores the embedded relation between representation and the narrative power of social reality while proposing something different. Around, but not beyond, the real: beyond, but not besides, the fictional. To address the efforts to expand such interstice she refers to her work as critical media practice parafictions.

Lamand is a research artist studio that advocates for parafiction by rejecting the boundaries between reality and fiction to rethink a state of uncertainty inherent to our historical moment through cinema/contemporary art. Lamaland’s analytical nature translates in meticulous visual outcomes and production strategies that range from film, to publications and installation. More info here.

📸 Gold and Ashes [2024], by Salomé Lamas

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16/10/2025

The Film-Phil Lisbon Seminars: Addison Ellis & Byron Davies

The next session of our Film-Phil Lisbon Seminars will be led by Addison Ellis (American University of Cairo) and Byron Davies (University of Murcia), who will talk about “Cinema De Trop: Brakhage and Existentialism”. Abstract Philosophically-informed writing on the U.S. experimental filmmaker Stan Brakhage (1933-2003) has only cursorily engaged with his relationship to existentialism. Nevertheless, […]
01/10/2025

CfP Death in the Eyes 2: Philosophical Perspectives on Film Genres and Death

NOVA University Lisbon, 28-29 May, 2026 Keynote Speakers: Michele Aaron (University of Warwick) and Jean-Baptiste Thoret (Universitéde Poitiers) Like philosophical categories, film genres function as ways of unifying the manifold of experience, determining under what conditions the particular can be subsumed under the universal. This effort of inclusion lies at the very root of Western […]
30/09/2025

Extended Deadline! CfP Special Issue on Swan Songs: Philosophical Reflections on Death, Time, and Memory in Testament Films

We are happy to announce the new home for the Special Issue “Swan Songs: Philosophical Reflections on Death, Time, and Memory in Testament Films”!  The editors have chosen to publish it in Arts, an international, peer-reviewed, open-access journal (also published online by MDPI) devoted to research on all facets of the visual and performing arts, […]
16/10/2025

New book chapter by Susana Viegas on Androids, Mortality, and Death-Images

A new book chapter by FILM AND DEATH’s PI Susana Viegas is out now. Titled “On Androids, Mortality, and Death-Images: Blade Runner and Westworld”, this new chapter is published in SecondDeath: Experiences of Death Across Technologies, edited by Alger Sans Pinillos, Vicent Costa, and Jordi Vallverdú (Springer, 2025). What happens when cinema makes androids confront […]
03/10/2025

Join us at the film festival Curt’Arruda

The 11th edition of the film festival Curt’Arruda, happening from October 2-5 at Arruda dos Vinhos, counts with the support of FILM AND DEATH in a session with invited artist Susana Anágua, on October 5 15:30 at Clube Recreativo Desportivo Arrudense (C.R.D.A.). After the session, Pedro Inock, doctoral student at NOVA University Lisbon, and member […]
02/10/2025

Welcome to Byron Davies, our first resident!

We are very happy to announce the arrival of Byron Davies to our team, the first short-term resident we’ll receive until the Summer of 2026. Byron Davies is a researcher in philosophy, film programmer, and visual artist originally from the U.S. and a naturalized Mexican citizen. He is currently a Marie Skłodowska-Curie fellow at the […]
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Funded by the European Union (ERC, FILM AND DEATH, 101088956). Views and opinions expressed are however those of the author(s) only and do not necessarily reflect those of the European Union or the European Research Council Executive Agency. Neither the European Union nor the granting authority can be held responsible for them.

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