26/10/2024

The Film-Phil Lisbon Seminars: Anna Magdalena Elsner

December’s Film-Phil Lisbon Seminar (2023-2024) will be led by Anna Magdalena Elsner (University of St. Gallen, Switzerland) who will talk about “Documenting Dying or Capturing Care? The Afterlives of Palliative Care in French End-of-Life Documentaries”.

ABSTRACT At the heart of this talk are three documentaries about end-of-life care in France: Les yeux ouverts (Frédéric Chaudier, 2010), Une maison au bord du monde (Pascal Cesaro, 2018) and Les Equilibristes (Perrine Michel, 2020). My aim is to explore how these documentary films engage with palliative care, the medical subspecialty which since Cicely Saunders’s pioneering work in the 1970s has become medicine’s main modality of dealing with death. Engaging with conceptual questions of the auto-documentary and ethnographies of care and vulnerability, I seek to untangle how the ethics of documentary filmmaking meets and collides with care ethics in the specific contexts of the portrayed institutions and their particular caring practices in the face of death. Highlighting how the films can be viewed as a commentary on societal engagements with dying, as well as oscillating between idealization and criticism of the philosophy of palliative, I explore the idea of an end-of-life documentary as an act of relational co-creation. As such, the practice of filmmaking partakes in Cicely Saunders’s totalizing view of pain and care, but also traces some of its limitations with regard to recent developments in political debates about end-of-life care in France.

The session is hybrid and will be held on December 4, 2024, at 15:00 PM (Lisbon time), at Colégio Almada Negreiros (room SE1) and online, via Zoom. To receive information about joining the meeting online, it’s mandatory to register in advance here.

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16/04/2025

The Film-Phil Lisbon Seminars: Muhammad Haris

The next Film-Phil Lisbon Seminar will be led by Muhammad Haris (Habib University) who will talk about “Natural Language Generation and the Script for a Film on Genocide”. Muhammad Haris is the Director for the Program in Comparative Humanities at Habib University in Karachi, Pakistan. The program’s curriculum is grounded in cross-disciplinarity, cooperation, and a […]
11/03/2025

Reading Group on Catherine Malabou’s “Destructive Plasticity”

Catherine Malabou first arose to prominence in the International philosophical landscape in the 1990s, thanks to her groundbreaking interpretation of G. W. F. Hegel’s system as one revolving around plasticity, which eventually became the key concept of her own philosophical production. Itself a plastic concept, plasticity (“the nature of that which is ‘plastic’, being at once […]
14/05/2025

Susana Viegas at filarch 25: architecture | cinema

On May 22 and 23, ESAD (Escola Superior de Artes e Design), in Caldas da Rainha, will host FILARCH 25, an international conference dedicated to architecture and cinema. Susana Viegas, the Principal Investigator at FILM AND DEATH, will give the opening keynote presentation: “Do Cemitério dos Inocentes ao cinema: a atualidade das Danças Macabras”. In […]
14/05/2025

Lucas Ferraço Nassif and Pedro Inock at IBERANIME Santarém 2025

On May 17, Lucas Ferraço Nassif and Pedro Inock, members of the FILM AND DEATH team will be at IBERANIME (CNEMA, Santarém), the biggest meeting of fans of japanese culture in Portugal. They will give a talk titled “Anime and Philosophy”, discussing this global phenomenon as a producer of knowledge and philosophical thought on very […]
29/04/2025

New date: Session 3 of our Reading Group on Catherine Malabou’s “Destructive Plasticity”

Due to unforeseen reasons, session three of our Reading Group on Catherine Malabou’s “Destructive Plasticity” has been postponed to May 5, 2025 (17h–18h UTC+1/WEST). SESSION THREE: BEYOND THE MESSIANIC: AUTOAFFECTION, HETEROAFFECTION – Monday, May 5, 2025 (17h–18h UTC+1/WEST) How can philosophical notions like “plasticity” and “affect” build bridges between continental philosophy and neurobiology? Why is […]
24/04/2025

Out now! Cinema: Journal of Philosophy and the Moving Image n.16

We are delighted to announce that Cinema: Journal of Philosophy and the Moving Image n.16, dedicated to the theme “Anime and Philosophy,” is now online! This special issue gathers a rich array of contributions exploring the philosophical dimensions of anime, ranging from its aesthetics and narrative structures to its metaphysical and ethical provocations. It features […]
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Funded by the European Union (ERC, FILM AND DEATH, 101088956). Views and opinions expressed are however those of the author(s) only and do not necessarily reflect those of the European Union or the European Research Council Executive Agency. Neither the European Union nor the granting authority can be held responsible for them.

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