26/10/2024

The Film-Phil Lisbon Seminars: Anna Magdalena Elsner

December’s Film-Phil Lisbon Seminar (2023-2024) will be led by Anna Magdalena Elsner (University of St. Gallen, Switzerland) who will talk about “Documenting Dying or Capturing Care? The Afterlives of Palliative Care in French End-of-Life Documentaries”.

ABSTRACT At the heart of this talk are three documentaries about end-of-life care in France: Les yeux ouverts (Frédéric Chaudier, 2010), Une maison au bord du monde (Pascal Cesaro, 2018) and Les Equilibristes (Perrine Michel, 2020). My aim is to explore how these documentary films engage with palliative care, the medical subspecialty which since Cicely Saunders’s pioneering work in the 1970s has become medicine’s main modality of dealing with death. Engaging with conceptual questions of the auto-documentary and ethnographies of care and vulnerability, I seek to untangle how the ethics of documentary filmmaking meets and collides with care ethics in the specific contexts of the portrayed institutions and their particular caring practices in the face of death. Highlighting how the films can be viewed as a commentary on societal engagements with dying, as well as oscillating between idealization and criticism of the philosophy of palliative, I explore the idea of an end-of-life documentary as an act of relational co-creation. As such, the practice of filmmaking partakes in Cicely Saunders’s totalizing view of pain and care, but also traces some of its limitations with regard to recent developments in political debates about end-of-life care in France.

The session is hybrid and will be held on December 4, 2024, at 15:00 PM (Lisbon time), at Colégio Almada Negreiros (room SE1) and online, via Zoom. To receive information about joining the meeting online, it’s mandatory to register in advance here.

Film and Death
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30/09/2025

Extended Deadline! CfP Special Issue on Swan Songs: Philosophical Reflections on Death, Time, and Memory in Testament Films

We are happy to announce the new home for the Special Issue “Swan Songs: Philosophical Reflections on Death, Time, and Memory in Testament Films”!  The editors have chosen to publish it in Arts, an international, peer-reviewed, open-access journal (also published online by MDPI) devoted to research on all facets of the visual and performing arts, […]
05/02/2026

New publication by Marco Grosoli on Raul Ruiz’s “Mysteries of Lisbon”

We are happy to announce a new publication by postdoctoral researcher Marco Grosoli. Titled “Anamorphosis of the Novelistic. Raul Ruiz’s Mysteries of Lisbon“, and published in the journal Fata Morgana 57 (2026), the full issue is available for subscribers here. In Raul Ruiz’s films, literature has always been of paramount importance: unsurprisingly, his most testamentary […]
26/01/2026

New publication by our team: “Death-Images: Revisiting Deleuze’s ‘Time-Image’ in Cinema after 1985”

As invited guest editors, Susana Viegas, Lucas Ferraço Nassif, Marco Grosoli and Vasco Baptista Marques are pleased to share “Death-Images: Revisiting Deleuze’s ‘Time-Image’ in Cinema after 1985” (Revista de Comunicação e Linguagens | Journal of Communication and Languages no. 63), published by the NOVA Institute of Communication – ICNOVA of NOVA University Lisbon. Marking forty years since […]
22/01/2026

New article published in our Arts Special Issue on Swan Songs

The editors of Swan Songs, Vasco Baptista Marques and Susana Viegas, are pleased to announce the publication of a new open-access article: “Lola Montès: Max Ophüls’s Final Dive into Circularity and Repetition” by Carlos Natálio. This article provides a reading of “Lola Montès” (1955), Max Ophüls’ last work, in light of the idea of it possibly […]
09/01/2026

“Whose Deaths Are Worth Mourning? Gendered Death in a Turkish TV Series” by Gülce Zeynep Bektaş

Whose Deaths Are Worth Mourning? Gendered Death in a Turkish TV Series By Gülce Zeynep Bektaş (Yeditepe University) https://doi.org/10.5281/zenodo.18198472 One of Turkey’s most-watched TV series, the mafia-themed Valley of the Wolves (Kurtlar Vadisi, 2003-2005) and its sequel series, Valley of the Wolves: Ambush (Kurtlar Vadisi Pusu, 2007–2016) frequently portray death, but not all of them […]
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Funded by the European Union (ERC, FILM AND DEATH, 101088956). Views and opinions expressed are however those of the author(s) only and do not necessarily reflect those of the European Union or the European Research Council Executive Agency. Neither the European Union nor the granting authority can be held responsible for them.

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