26/10/2024

The Film-Phil Lisbon Seminars: Anna Magdalena Elsner

December’s Film-Phil Lisbon Seminar (2023-2024) will be led by Anna Magdalena Elsner (University of St. Gallen, Switzerland) who will talk about “Documenting Dying or Capturing Care? The Afterlives of Palliative Care in French End-of-Life Documentaries”.

ABSTRACT At the heart of this talk are three documentaries about end-of-life care in France: Les yeux ouverts (Frédéric Chaudier, 2010), Une maison au bord du monde (Pascal Cesaro, 2018) and Les Equilibristes (Perrine Michel, 2020). My aim is to explore how these documentary films engage with palliative care, the medical subspecialty which since Cicely Saunders’s pioneering work in the 1970s has become medicine’s main modality of dealing with death. Engaging with conceptual questions of the auto-documentary and ethnographies of care and vulnerability, I seek to untangle how the ethics of documentary filmmaking meets and collides with care ethics in the specific contexts of the portrayed institutions and their particular caring practices in the face of death. Highlighting how the films can be viewed as a commentary on societal engagements with dying, as well as oscillating between idealization and criticism of the philosophy of palliative, I explore the idea of an end-of-life documentary as an act of relational co-creation. As such, the practice of filmmaking partakes in Cicely Saunders’s totalizing view of pain and care, but also traces some of its limitations with regard to recent developments in political debates about end-of-life care in France.

The session is hybrid and will be held on December 4, 2024, at 15:00 PM (Lisbon time), at Colégio Almada Negreiros (room SE1) and online, via Zoom. To receive information about joining the meeting online, it’s mandatory to register in advance here.

Film and Death
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25/06/2025

Vasco Baptista Marques at Post/Zeitgeist (Gerador/Goethe-Institut)

On July 10 7PM, Vasco Baptista Marques will be joined by neuroscientist Luísa Lopes in an informal conversation at the library of the Goethe-Institut in Lisbon. The theme for this session of Despertador, a series of informal encounters between two specialists on a specific thematic, will be “Novas Concepções sobre Vida e Morte” (“New Conceptions […]
20/06/2025

The Film-Phil Lisbon Seminars: Bárbara Bergamaschi

The next session of our Film-Phil Lisbon Seminars will be led by Bárbara Bergamaschi (NOVA University Lisbon), who will talk about “Eroticism, Formlessness, and Death in Tscherkassky’s Cinematic Hauntology”. Abstract This paper examines the work of Austrian avant-garde filmmaker Peter Tscherkasskythrough the lens of Georges Bataille’s concepts of l’informe (the formless), eroticism, and expenditure. Positioned […]
06/01/2025

CfP Special Issue on Swan Songs: Philosophical Reflections on Death, Time, and Memory in Testament Films

Swan Songs: Philosophical Reflections on Death, Time, and Memory in Testament Films Dedicated to the last films of renowned filmmakers, often referred to as “testament films” or “swan songs,” this Special Issue will examine their thematic, narrative, and stylistic elements, viewing these final works as profound summations of their creators’ careers and philosophical syntheses of […]
16/06/2025

Lucas Ferraço Nassif at the University of Essex and the Freud Museum

Lucas Ferraço Nassif will be present at the Nature and Its Discontents Conference SIPP/ISSP (International Society of Psychoanalysis and Philosophy), happening on June 25-27 at the University of Essex in Colchester and on June 29 at the Freud Museum in London. On June 27, he will give a presentation titled “Multiplanar Unconsciouses: Studying Ferenczi’s Thalassa […]
16/06/2025

Our team will be at the Film-Philosophy Conference 2025 (L-Università ta’ Malta)

From June 23 to June 25, the Valetta Campus of the University of Malta will host the Film-Philosophy Conference 2025. Our team will present a panel titled Death-Images, on the first day, June 23, at 3:45PM (Room 103). This panel explores the concept of the death-image through the work of Alain Resnais, focusing on what […]
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Funded by the European Union (ERC, FILM AND DEATH, 101088956). Views and opinions expressed are however those of the author(s) only and do not necessarily reflect those of the European Union or the European Research Council Executive Agency. Neither the European Union nor the granting authority can be held responsible for them.

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