26/10/2024

The Film-Phil Lisbon Seminars: Anna Magdalena Elsner

December’s Film-Phil Lisbon Seminar (2023-2024) will be led by Anna Magdalena Elsner (University of St. Gallen, Switzerland) who will talk about “Documenting Dying or Capturing Care? The Afterlives of Palliative Care in French End-of-Life Documentaries”.

ABSTRACT At the heart of this talk are three documentaries about end-of-life care in France: Les yeux ouverts (Frédéric Chaudier, 2010), Une maison au bord du monde (Pascal Cesaro, 2018) and Les Equilibristes (Perrine Michel, 2020). My aim is to explore how these documentary films engage with palliative care, the medical subspecialty which since Cicely Saunders’s pioneering work in the 1970s has become medicine’s main modality of dealing with death. Engaging with conceptual questions of the auto-documentary and ethnographies of care and vulnerability, I seek to untangle how the ethics of documentary filmmaking meets and collides with care ethics in the specific contexts of the portrayed institutions and their particular caring practices in the face of death. Highlighting how the films can be viewed as a commentary on societal engagements with dying, as well as oscillating between idealization and criticism of the philosophy of palliative, I explore the idea of an end-of-life documentary as an act of relational co-creation. As such, the practice of filmmaking partakes in Cicely Saunders’s totalizing view of pain and care, but also traces some of its limitations with regard to recent developments in political debates about end-of-life care in France.

The session is hybrid and will be held on December 4, 2024, at 15:00 PM (Lisbon time), at Colégio Almada Negreiros (room SE1) and online, via Zoom. To receive information about joining the meeting online, it’s mandatory to register in advance here.

Film and Death
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24/09/2025

The Film-Phil Lisbon Seminars: Seán Cubbit

The next session of our Film-Phil Lisbon Seminars will be led by Seán Cubbit (University of Melbourne), who will talk about “Immortal Cinema”. Abstract We have always been told that everyone dies alone. A medium that tends to privilege individuals, film has tended to focus on these lonely deaths of isolated individuals, often treating them […]
15/07/2025

Book Discussion: Queer Post-Cinema, by Astrid Deuber-Mankowsky

On September 25, 2025, a discussion will take place about the book Queer Post-Cinema: Reinventing Resistance (ICI Berlin Press 2025), by Astrid Deuber-Mankowsky. The discussion will be held in English, in the auditorium C1 of NOVA FCSH (Campus Av. de Berna) and will feature the author, Susana Viegas and Iracema Dulley. This event is included […]
26/09/2025

Marco Grosoli at the University of Évora

On October 2-4, PRAXIS (Center of Philosophy, Politics and Culture of the Universty of Évora) will host the international congress Jacques Derrida e a Desconstrução, revisiting some of Derrida’s deconstruction most relevant contributions to contemporary thought. Marco Grosoli will present a paper titled “Beyond Deconstruction: Malabou’s plasticity in Manoel de Oliveira’s Vale Abraão and Espelho […]
26/09/2025

Susana Viegas at the XI Encuentro Ibérico de Estética (University of Salamanca)

On October 23-25, the University of Salamanca will host the XI Encuentro Ibérico de Estética, dedicated to the theme «Ni esto ni aquello. Espacios de lo ambiguo en las artes y la Estética». Susana Viegas will be present with a paper titled “Lazarean Characters in Alice Rohrwacher’s “Happy as Lazzaro” and “La Chimera””. Alice Rohrwacher’s […]
25/09/2025

New article by Marco Grosoli

A new open-access article by Marco Grosoli is out now, having been published in Arts as part of the Special Issue Swan Songs: Philosophical Reflections on Death, Time, and Memory in Testament Films. The article “Wrapping Up “Through the Eyes of Those Who Are No Longer”: Paolo Taviani’s Leonora addio (2022)” is available here. In […]
25/09/2025

New book chapter by Susana Viegas on Derrida and Film Studies

A new book chapter by FILM AND DEATH’s PI Susana Viegas is out now. Titled “Derrida on Cinema’s Spectral Images: Time, Repetition, and Belief”, this new article is published in Derrida and Film Studies, edited by Kamil Lipiński and Andrzej Marzec (Brill, 2025). This chapter by Susana Viegas begins as a meditation on the relationship […]
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Funded by the European Union (ERC, FILM AND DEATH, 101088956). Views and opinions expressed are however those of the author(s) only and do not necessarily reflect those of the European Union or the European Research Council Executive Agency. Neither the European Union nor the granting authority can be held responsible for them.

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