Film-Philosophy Conference 2024

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Alain Resnais Alfred Hitchcock Animation anime Anna Elsner Anti-image Architecture and Cinema Bande Dessinée Bárbara Bergamaschi Béla Tarr Bernd Herzogenrath Bill Morrison Book Discussion Byron Davies Call for Papers Calls Catherine Malabou Catherine Wheatley Chantal Akerman Christine Reeh-Peters Cinema Journal of Philosophy Cinema Studies CJPMI Conferences Corey P. Cribb Cristóbal Escobar David Ferragut David H. Fleming David Lynch Davide Sisto Death and Technology Death-Image Deleuze Derrida Disappearence End-of-life care Events Farshad Zahedi Félix Guattari Female Biopic FIlm Film and Death Film Philosophy Film Studies Film-Phil Seminar Gilles Deleuze Grief Gülce Zeynep Bektaş Ingrid Rodrigues Gonçalves Jacques Derrida Jaime Pena Jakob A. Nilsson James Williams Jamieson Webster Japan Jean-Marc Rochette Jonathan Glazer Kanen Barad Lacrimae Rerum Lucas Ferraço Nassif Lucy Bolton Manoel de Oliveira Marc Cerisuelo Marco Grosoli Media Studies Michael Cholbi Michael Haneke Mortality Muhammad Haris Nélio Conceição New Queer Cinema Outi Hakola Paolo Taviani Patrícia Castello Branco Patricio Guzmán Pedro Inock Philosophy of Death Posthumanism Publications Queer Post-Cinema Queer Studies Reading Group Robert Sinnerbrink Salomé Lamas Seán Cubbit Slavoj Žižek Slow Cinema Stanley Cavell Star Biopic Susana Viegas Swan Songs Testament Films Thanatology Thomas E. Wartenberg Thomas Lamarre Time-Image Vasco Baptista Marques Video Visiting Researcher Walter Benjamin

12/11/2025

Join us on our next seminar with Byron Davies, Bruno Varela and Marcela Cuevas

On November 26 3-6PM, join us at NOVA FCSH (Berna Campus, Room A206) for a presentation by three members of Salón de Cines Múltiples (SACIMU): Bruno Varela, Marcela Cuevas and our first resident Byron Davies. They will talk to us about “Nahual Cinema and The Living Idol (Albert Lewin and René Cardona, 1957)”. Abstract In […]

29/10/2025

The Film-Phil Lisbon Seminars: Christine Greiner

The next session of our Film-Phil Lisbon Seminars will be led by Christine Greiner (Pontifical Catholic University of São Paulo), who will talk about the “Death-Image: modes of existence”. Abstract Based on Vinciane Despret’s studies on the philosopher Étienne Souriau and the urgency of establishing modes of existence for the dead (and for death), we […]

01/10/2025

CfP Death in the Eyes 2: Philosophical Perspectives on Film Genres and Death

NOVA University Lisbon, 28-29 May, 2026 Keynote Speakers: Michele Aaron (University of Warwick) and Jean-Baptiste Thoret (Universitéde Poitiers) Like philosophical categories, film genres function as ways of unifying the manifold of experience, determining under what conditions the particular can be subsumed under the universal. This effort of inclusion lies at the very root of Western […]

30/09/2025

Extended Deadline! CfP Special Issue on Swan Songs: Philosophical Reflections on Death, Time, and Memory in Testament Films

We are happy to announce the new home for the Special Issue “Swan Songs: Philosophical Reflections on Death, Time, and Memory in Testament Films”! The editors have chosen to publish it in Arts, an international, peer-reviewed, open-access journal (also published online by MDPI) devoted to research on all facets of the visual and performing arts, […]

11/11/2025

Susana Viegas at the I Symposium Ǝ&E: Intersections Between Ethics and Aesthetics

Susana Viegas will present at the I Symposium Ǝ&E: Intersections Between Ethics and Aesthetics, held at the University of Málaga, 16 and 17 December, 2025. Her talk, titled “Animal Violence: Bazin, Film, and the Ethics of Death,” revisits André Bazin’s seminal essay “La Mort tous les après-midi” (1949) through the lens of Albert Serra’s “Tardes […]

16/10/2025

New book chapter by Susana Viegas on Androids, Mortality, and Death-Images

A new book chapter by FILM AND DEATH’s PI Susana Viegas is out now. Titled “On Androids, Mortality, and Death-Images: Blade Runner and Westworld”, this new chapter is published in SecondDeath: Experiences of Death Across Technologies, edited by Alger Sans Pinillos, Vicent Costa, and Jordi Vallverdú (Springer, 2025). What happens when cinema makes androids confront […]