“I am afraid that other people do not realize that the one aim of those who practice philosophy in the proper manner is to practice for dying and death.”
Welcome to FILM AND DEATH
FILM AND DEATH defends the hypothesis that to film-philosophize is to learn to die. This will be achieved by rethinking the innovations that film brings to recent philosophies of death and the metaphysics of time. A new criterion for understanding the relationship between film and philosophy is proposed that claims 1) that film-philosophy’s methodology is a meditation on death, and 2) that films think and have their own ways of creating novel thoughts that are not our own. One of these thoughts concerns death, a phenomenon of which we have no image but that film renders visible as a death-image (a direct image of passing time, facing the impossibility of any representation). We will assert that the cinematic experience is in itself equal to awareness of one’s own mortality, as a memento mori, without which we would not philosophize at all.
New publication by our team: “Death-Images: Revisiting Deleuze’s ‘Time-Image’ in Cinema after 1985”
Extended Deadline! CfP Special Issue on Swan Songs: Philosophical Reflections on Death, Time, and Memory in Testament Films
New publication by Marco Grosoli on Raul Ruiz’s “Mysteries of Lisbon”
New article published in our Arts Special Issue on Swan Songs
“Whose Deaths Are Worth Mourning? Gendered Death in a Turkish TV Series” by Gülce Zeynep Bektaş
