06/03/2026

Presenting Film and Death: A Conceptual Knowledge Map

We are pleased to announce the launch of Film and Death: A Conceptual Knowledge Map, a dataset developed within the FILM AND DEATH project. Guided by the focus question “How does film make us think about death?,” the map visualizes the network of relations between films, filmmakers, formal strategies, concepts, and thematic subjects, highlighting their philosophical and analytical dimensions.

It is organised around three primary domains—Concept, Form, and Subject—which structure the film-philosophical relations emerging from the analysis. Designed as a dynamic network rather than a hierarchical catalogue, the map allows connections to emerge across domains, revealing patterns, affinities, and contrasts across a corpus of more than 200 works.

The same dataset can be explored through two complementary visualizations:

  • Films Map – centred on individual works
  • Labels Map – centred on conceptual and analytical categories

Together, these views support research design, teaching, concept formation, and curatorial or critical work, enabling users to trace conceptual and thematic connections across diverse film-philosophical contexts.

To access the Films Map, centred on individual works, click here.

To access the Labels Map, centred on conceptual and analytical categories, click here.

You can access the dataset and the accompanying methodological report here: https://doi.org/10.5281/zenodo.18223967. 

Finally, click here to find a set of instructions on how to use the conceptual knowledge map. 

We hope the map encourages exploration, discussion, and new ways of thinking about how cinema engages with death. 

Film and Death
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07/08/2026

“Swan Songs: Philosophical Reflections on Death, Time, and Memory in Testament Films” is out now!

We are pleased to announce the completion of the Special Issue “Swan Songs: Philosophical Reflections on Death, Time, and Memory in Testament Films”, guest edited by Vasco Baptista Marques and Susana Viegas for Arts. The Special Issue brings together seven original articles examining testament films from a philosophical perspective. Rather than approaching filmmakers’ final works merely as […]
06/08/2026

New Open Access publication by Susana Viegas

We are pleased to share that the book chapter “Derrida on Cinema’s Spectral Images: Time, Repetition, and Belief” by PI Susana Viegas is now available in Open Access through the publisher Brill. Published in “Derrida and Film Studies”, edited by Kamil Lipiński and Andrzej Marzec (Brill, 2025), the chapter explores Jacques Derrida’s reflections on cinema […]
06/08/2026

Join us at the Goethe-Institut Portugal for the cycle “Falar sobre a morte (nunca matou ninguém)”!

Organized by the Goethe-Institut Portugal, with contributions from the FILM AND DEATH team, Death Café, the association Doulas do Fim da Vida, and many other partners, the festival Falar sobre a morte (nunca matou ninguém) [Speaking About Death (Never Killed Anyone)] will open on September 17 at 5:00 pm with the interactive sound installation Memorial […]
03/08/2026

Join Anderson Santos and Lucas Ferraço Nassif at the Centro Português de Psicanálise

On September 1, 7:00 PM, the Centro Português de Psicanálise (R. da Assunção 7, 2º) will host a talk by Anderson Santos, moderated by Lucas Ferraço Nassif, on “Félix Guattari: Psicanálise e o Paradigma Ético-Estético”. This presentation will be in Portuguese. This presentation addresses the shift initiated by Félix Guattari within psychoanalysis, as he proposes […]
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Funded by the European Union (ERC, FILM AND DEATH, 101088956). Views and opinions expressed are however those of the author(s) only and do not necessarily reflect those of the European Union or the European Research Council Executive Agency. Neither the European Union nor the granting authority can be held responsible for them.

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