14 February

David Ferragut (Universitat Autònoma de Barcelona)

ABSTRACT Henri Bergson (1907) and Hugo Münsterberg (1916) were the first two philosophers who took an interest in cinema, yet they wrote about it in very different contexts. Bergson, dedicating a single chapter during the Early Cinema era, explored it before the classical style had crystallized. In contrast, Münsterberg, who wrote an entire book on it, did so when Classical Cinema had already taken shape. Furthermore, they ascribed different dimensions to cinema: Bergson viewed it through a scientific lens, dissecting movement into fixed points, while Münsterberg celebrated it as a new artistic form capable of replicating mental processes. This session will unfold along three axes: first, we will describe the fundamental differences between Early and Classical Cinema in order to discern the images analyzed by Bergson and Münsterberg; second, we will delve into their primary arguments to delineate their cinematic conceptions within their philosophical frameworks. Finally, drawing on interpretations by both Deleuze and Carroll, we will explore enduring philosophical questions about cinema that still persist into the present day.

David Ferragut holds a BA degree in Humanities with a mention in Philosophy (Universitat Autònoma de Barcelona) and is a PhD candidate in Art History (UAB) with a thesis on slow cinema, rendered from Film Theory and the Philosophy of Gilles Deleuze. He has conducted seminars on electronic and digital media (video games, photography, noise and drone music), History of Cinema, and Film Theory (UAB and Universitat de Girona). He has coordinated two books: Ensayos y errores. Arte, ciencia y filosofía en los videojuegos (AnaitGames, 2019), with Alfonso-García Lapeña, and Lo que dura una película. Una antología sobre slow cinema (Laertes, 2023), with Iona Sharp-Casas.

The session is hybrid and will be held on February 14, 2024, at 15:00 (Lisbon time) Colégio Almada Negreiros Room CAN SE1 and online.

Note that to receive information about joining the meeting online, it is mandatory to register in advance here.

Film and Death
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Film-Phil Seminars

It consists of a set of monthly seminars open to the academic community and the general public.
The seminars will be delivered by team members and by invited speakers and collaborators.

P2 Close-Up on Film-Philosophical Time

2026

25 February: Vasco Baptista Marques (NOVA University Lisbon)

More details to follow (Hybrid)

2025

29 January: Cristóbal Escobar (University of Melbourne), "A Classic Never Dies: On Cinematic Intensity and the Contemporary"

Online event

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19 February: Outi Hakola (University of Helsinki), "Filming the Moment of Death”

Hybrid

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26 March: Marc Cerisuelo (Université Gustave Eiffel and Institut Universitaire de France), "Psychopomp fictions"

Hybrid

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16 April: Federico Rossin "How experimental cinema deals with death"

Hybrid

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28 May: Muhammad Haris (Habib University), "Natural Language Generation and the Script for a Film on Genocide"

Online event

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4 June: Jeremi Szaniawski (UMass Amherst), "Death, Dying, and the Death Throes (?) of Necrorealism in the Films of Alexander Sokurov and Yevgeny Yufit"

Hybrid

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30 July: Bárbara Bergamaschi (NOVA University of Lisbon), "Eroticism, Formlessness, and Death in Tscherkassky’s Cinematic Hauntology"

Hybrid

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24 September: Davide Sisto (University of Turin), "Thanabots. Digital immortality between sci-fi movies and reality"

Hybrid

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15 October: Seán Cubbit

More details to follow (Hybrid)

27 November: Christine Greiner

More details to follow (Online event)

2024

18 September: Christine Reeh-Peters (​Protestant University of Applied Sciences/Bochum), "Film Specters - Towards an Ethics of Film and Death"

Hybrid

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23 October: James Williams (Deakin University), "Death, Démontage and Time in Bande Dessinée as a Precursor to Film: The Works of Jean-Marc Rochette"

Hybrid

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20 November: Lucas Ferraço Nassif (IFILNOVA), "Where the Desertshore Was, There Should Be the Crypt"

Hybrid

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4 December: Anna Magdalena Elsner (University of St. Gallen), "Documenting Dying or Capturing Care? The Afterlives of Palliative Care in French End-of-Life Documentaries"

Hybrid

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P1 Close-Up on Film-Philosophy as Metaphilosophy

2023

22 November: Robert Sinnerbrink (Macquarie University), “What is a Philosophical Reading of Film? On Film-Philosophy and Philosophical Film Criticism”

Online event

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11 December: Jakob A. Nilsson (Örebro University), "Cinecepts: On the Articulation of Philosophical Concepts Through Audiovisual Media"

Online event

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2024

24 January: Thomas E. Wartenberg (Mount Holyoke College), “Thoughtful Cinema: Illustrating Philosophy Through Film”

Hybrid

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14 February: David Ferragut (Universitat Autònoma de Barcelona), “Matter and Mind. On philosophy in Early Cinema”

Hybrid

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9 March: Thomas Lamarre (University of Chicago), “Half Life: Radiation and Animation”

In-person event

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24 April: Lucy Bolton (Queen Mary University of London), “The desecration of the beautiful star: death and the female biopic”

Hybrid

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15 May: Bernd Herzogenrath (Goethe University of Frankfurt), “The Way of All Flesh: Decasia and Death of|as Film”

Hybrid

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17 June: Marco Grosoli (IFILNOVA), "Looking Through the Eyes of Those Who Are No Longer: Death and Cultural Politics in Leonora addio (Paolo Taviani, 2022)"

Online event

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4 July: Catherine Wheatley (King's College London), "Tomorrow and tomorrow and tomorrow: film, mourning, and the passing of the world"

Hybrid

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Funded by the European Union (ERC, FILM AND DEATH, 101088956). Views and opinions expressed are however those of the author(s) only and do not necessarily reflect those of the European Union or the European Research Council Executive Agency. Neither the European Union nor the granting authority can be held responsible for them.

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