Philosophy of Death – Page 7

Tags

Aesthetics Alain Resnais Alfred Hitchcock Ana Clara Freitas Animation anime Animist Cinema Anna Elsner Anti-image Architecture and Cinema Archive Artistic Studies Bande Dessinée Bárbara Bergamaschi Béla Tarr Bernd Herzogenrath Bill Morrison Book Discussion Byron Davies Call Call for Papers Call for Works Calls Catherine Malabou Catherine Wheatley Cátia Rodrigues Chantal Akerman Christian Petzold Christine Reeh-Peters Cían Ó Donnchadha Cinema Journal of Philosophy Cinema Studies CJPMI Conceptual Knowledge Map Conferences Corey P. Cribb Cristóbal Escobar Daniel Conway David Ferragut David H. Fleming David Lynch Davide Sisto Death and Technology Death in the Eyes 2 Death in the Eyes 3 Death-Image Deleuze Derrida Diana Neiva Disappearence End-of-life care Events Farshad Zahedi Félix Guattari Female Biopic FIlm Film and Death Film Genres Film Philosophy Film Studies Film-Phil Seminar Gilles Deleuze Grief Gülce Zeynep Bektaş Horror Ingrid Rodrigues Gonçalves Jacques Derrida Jaime Pena Jakob A. Nilsson James Williams Jamieson Webster Japan Jean-Marc Rochette Jonathan Glazer Kanen Barad Lacrimae Rerum Laurence Kent Lucas Ferraço Nassif Lucy Bolton Manoel de Oliveira Marc Cerisuelo Marco Grosoli Media Studies Memory Michael Cholbi Michael Haneke Mortality Muhammad Haris Natacha Gallucci Nélio Conceição New Queer Cinema Open Call Outi Hakola Palliative Care Paolo Taviani Patrícia Castello Branco Patricio Guzmán Pedro Inock Performance Philosophy of Cinema Philosophy of Death Podcast Posthumanism Publications Queer Post-Cinema Queer Studies Reading Group Research Grant Robert Sinnerbrink Salomé Lamas Seán Cubbit Short-Term Residencies Slavoj Žižek Slow Cinema Stanley Cavell Star Biopic Susana Viegas Swan Songs Testament Films Thanatology Thomas E. Wartenberg Thomas Lamarre Tiago Cravidão Time-Image Vanessa Freerks Vasco Baptista Marques Video Videoart Violence Visiting Researcher Walter Benjamin Workshop

19/02/2025

James Williams on “Perishing and Démontage in the Works of Jean-Marc Rochette: a Process Philosophy of Life and Death”

Unfortunately, last October, our Film-Phil Lisbon Seminar with James Williams had to be canceled. But this month, he has kindly shared his notes regarding the theme of his presentation: “Perishing and Démontage in the Works of Jean-Marc Rochette: a Process Philosophy of Life and Death”. To read the full text, and stay updated on his […]

10/02/2025

CfP Revista de Comunicação e Linguagens nº. 63: “Death-Images: Revisiting Deleuze’s “Time-Image” in cinema after 1985”

Death-Images: Revisiting Deleuze’s “Time-Image” in cinema after 1985 In her article “Death as Film-Philosophy’s Muse: Deleuzian Observations on Moving Images and the Nature of Time,” Susana Viegas has shown that Gilles Deleuze’s concept of the “time-image” (i.e. a way for moving images to present time breaking with the conception of the latter as a discrete […]

30/01/2025

Film Studies Research Seminar Series of King’s College London

Susana Viegas is presenting at the Film Studies Research Seminar Series at the Department of Film Studies of King’s College London: “Do Androids Die? Exploring the Life and Death of Technological Beings”. Abstract This talk investigates a growing field of study: posthuman thanato-film analysis, situated at the intersection of philosophies of death, film, and technology. […]

06/01/2025

CfP Special Issue on Swan Songs: Philosophical Reflections on Death, Time, and Memory in Testament Films

Swan Songs: Philosophical Reflections on Death, Time, and Memory in Testament Films Dedicated to the last films of renowned filmmakers, often referred to as “testament films” or “swan songs,” this Special Issue will examine their thematic, narrative, and stylistic elements, viewing these final works as profound summations of their creators’ careers and philosophical syntheses of […]