Film Philosophy – Page 4

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13/02/2025

Ciclo de Cinema e Psicanálise: Lynch e o (In)consciente Múltiplo

On April 16 9PM, Lucas Ferraço Nassif will be commenting on David Lynch’s short film The Grandmother (1970), at Base Organizada da Toca das Artes (BOTA). In celebration of David Lynch, the Centro de Criação Psicanalítica, in partnership with BOTA and in collaboration with APPSI – The Portuguese Association of Psychoanalytic Psychotherapy and IARPP Portugal […]

05/02/2025

Vasco Baptista Marques’ new open-access article on Bill Morrison’s Decasia and Tributes-Pulse

The article “A Imagem-Morrente: Sobre Decasia e Tributes-Pulse, de Bill Morrison” [“The Dying-Image: On Bill Morrison’s Decasia and Tributes-Pulse“] has just been published in the latest issue of Aniki (https://aim.org.pt/ojs/index.php/revista/article/view/1111). This essay reflects on Bill Morrison’s work through the concept of the “dying-image”—an image that gives visibility to the process of degradation inscribed in its own material support, […]

31/01/2025

Paolo Taviani’s Leonora addio (2022): A Look at Cultural Politics “Through the Eyes of Those Who Are No Longer”

Marco Grosoli will give a talk at University of Massachusetts Amherst, organized by its Department of Languages, Literatures and Cultures and the Film Studies Program. Abstract At the time of its release in 2022, Leonora addio was welcomed mostly as a harmless cinematic oddity. Yet there is more than meets the eye. For one thing, Leonora addio, the […]