Film Philosophy – Page 4

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06/03/2025

The Film-Phil Lisbon Seminars: Marc Cerisuelo

The next Film-Phil Lisbon Seminar will be led by Marc Cerisuelo (Université Gustave Eiffel -Paris | Institut Universitaire de France) who will talk about “Psychopomp fictions”. Marc Cerisuelo is Professor of Film Studies and Aesthetics at the Université Gustave Eiffel (Paris) and a member of Institut Universitaire de France, he collaborates with Positif magazine and […]

02/03/2025

Marco Grosoli at Discours politique et cinéma de fiction

Marco Grosoli will be presenting at Discours politique et cinéma de fiction, at the Université de Lorraine (Campus Lettres et Sciences Humaines): “A Political Speech from the Dead. My Son John (Leo McCarey, 1952) and its Spectral Ending”. Abstract The political speech closing My Son John (Leo McCarey, 1952) is delivered by a dead man. […]

13/02/2025

Ciclo de Cinema e Psicanálise: Lynch e o (In)consciente Múltiplo

On April 16 9PM, Lucas Ferraço Nassif will be commenting on David Lynch’s short film The Grandmother (1970), at Base Organizada da Toca das Artes (BOTA). In celebration of David Lynch, the Centro de Criação Psicanalítica, in partnership with BOTA and in collaboration with APPSI – The Portuguese Association of Psychoanalytic Psychotherapy and IARPP Portugal […]

05/02/2025

Vasco Baptista Marques’ new open-access article on Bill Morrison’s Decasia and Tributes-Pulse

The article “A Imagem-Morrente: Sobre Decasia e Tributes-Pulse, de Bill Morrison” [“The Dying-Image: On Bill Morrison’s Decasia and Tributes-Pulse“] has just been published in the latest issue of Aniki (https://aim.org.pt/ojs/index.php/revista/article/view/1111). This essay reflects on Bill Morrison’s work through the concept of the “dying-image”—an image that gives visibility to the process of degradation inscribed in its own material support, […]