Film and Death
Film and Death
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07/03/2025

Death in the Eyes: Thinking and Representing Human Disappearance in Cinema

From May 5 to May 7, this symposium will take place at the Universitat Autònoma de Barcelona. Coordinated by Susana Viegas (Universidade NOVA de Lisboa) and David Ferragut (Universitat Autònoma de Barcelona), the event is structured into three sessions. The first session features a screening of Ingmar Bergman’s The Seventh Seal (1957), a film that […]
26/02/2025

On Gold and Ashes: Representing Trauma and the Aesthetics of Disappearance, with Salomé Lamas

Our first object of inquiry and care should be life. We know the reason for that as we are living beings in a situation in which the conditions of life are endangered. What has no place in this insisting ecological discourse is death. The fact that death is difficult to acknowledge is not new, but […]
13/02/2025

Ciclo de Cinema e Psicanálise: Lynch e o (In)consciente Múltiplo

On April 16 9PM, Lucas Ferraço Nassif will be commenting on David Lynch’s short film The Grandmother (1970), at Base Organizada da Toca das Artes (BOTA). In celebration of David Lynch, the Centro de Criação Psicanalítica, in partnership with BOTA and in collaboration with APPSI – The Portuguese Association of Psychoanalytic Psychotherapy and IARPP Portugal […]
31/01/2025

André Bazin: The Space of Myth

Marco Grosoli is presenting at André Bazin: The Space of Myth, an international film conference at Yale MacMillan Center: “Locating Sentiment—CloseUps in Sunset Blvd and Gold of Naples“ Abstract I will analyze André Bazin’s writings on Billy Wilder’s Sunset Boulevard (1950) and Vittorio de Sica’s The Gold of Naples (1954). As regards the former, Bazin […]
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Funded by the European Union (ERC, FILM AND DEATH, 101088956). Views and opinions expressed are however those of the author(s) only and do not necessarily reflect those of the European Union or the European Research Council Executive Agency. Neither the European Union nor the granting authority can be held responsible for them.

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