21 May

Isabel Gamero (Complutense University of Madrid)

ABSTRACT

In my presentation I am interested in raising philosophical questions about the peculiar place that horror films occupy within the wider spectrum of film genres. Horror films are generally regarded as a minor genre, aimed more at the immediate thrill of the scare or as the minoritarian taste of viewing of gruesome scenes on the screen. However, there is one clear exception when it comes to classic cult horror films (for example, Murnau’s or Hitchcock’s films), which are really appreciated, especially by critics, and even receive philosophical attention. I wonder whether that different consideration has anything to do with the mind/body dualism, which characterises much of Western thought. To develop my arguments, I will delve into Cavell’s main work about ontology of film, The World Viewed. I will also consider some of the criticism that he has received and will bring examples of contemporary horror films, especially body horror.

BIO

Isabel Gamero Cabrera is Associate Professor at the Philosophy Faculty, Complutense University of Madrid (Spain). Her fields of research are political philosophy, anthropology, feminist philosophy and contemporary epistemology. She has coedited the Bloomsbury Handbook of Wittgensteinian Feminism (2025). She is also passionate about cinema and literature. Her more recent interest is researching the intersections between these disciplines and philosophy. All her publications are available here: https://ucm.academia.edu/IsabelGamero

This will be an hybrid session and will be held on May 21, 2026, at 16:00 WEST in room A306 of NOVA FCSH (Berna Campus) and through Microsoft Teams. You can register here.

Film and Death
Film and Death
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Film-Phil Seminars

It consists of a set of monthly seminars open to the academic community and the general public.
The seminars will be delivered by team members and by invited speakers and collaborators.

P2 Close-Up on Film-Philosophical Time

2026

25 February: Vasco Baptista Marques (NOVA University Lisbon), "“I See Dead People”: Neoliberalism as Purgatory in Christian Petzold’s Yella"

In-person event

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17 March: Daniel Conway (Texas A&M University), "Matters of Life and Death: The Nietzschean Imperative in Contemporary Science Fiction Films"

Hybrid event

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15 April: Robin Vanbesien (Sint Lucas School of Arts Antwerp), "Posthumous Struggle and Transmission"

In-person event

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22 April: Vanessa Freerks (University of Fort Hare), "Imagining death otherwise: Baudrillard and cinema’s vital illusion"

In-person event

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21 May: Isabel Gamero (Complutense University of Madrid), "Mind / Body & World / View(ed): Some questions about dualism, horror films and Cavell’s philosophy"

Hybrid event

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2025

29 January: Cristóbal Escobar (University of Melbourne), "A Classic Never Dies: On Cinematic Intensity and the Contemporary"

Online event

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19 February: Outi Hakola (University of Helsinki), "Filming the Moment of Death”

Hybrid

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26 March: Marc Cerisuelo (Université Gustave Eiffel and Institut Universitaire de France), "Psychopomp fictions"

Hybrid

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16 April: Federico Rossin "How experimental cinema deals with death"

Hybrid

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28 May: Muhammad Haris (Habib University), "Natural Language Generation and the Script for a Film on Genocide"

Online event

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4 June: Jeremi Szaniawski (UMass Amherst), "Death, Dying, and the Death Throes (?) of Necrorealism in the Films of Alexander Sokurov and Yevgeny Yufit"

Hybrid

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30 July: Bárbara Bergamaschi (NOVA University of Lisbon), "Eroticism, Formlessness, and Death in Tscherkassky’s Cinematic Hauntology"

Hybrid

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24 September: Davide Sisto (University of Turin), "Thanabots. Digital immortality between sci-fi movies and reality"

Hybrid

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15 October: Seán Cubbit (University of Melbourne), "Immortal Cinema"

Hybrid

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29 October: Addison Ellis and Byron Davies (American University of Cairo and University of Murcia), "Cinema De Trop: Brakhage and Existentialism"

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27 November: Christine Greiner (Pontifical Catholic University of São Paulo), "Death-Image: modes of existence"

Online event

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2024

18 September: Christine Reeh-Peters (​Protestant University of Applied Sciences/Bochum), "Film Specters - Towards an Ethics of Film and Death"

Hybrid

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23 October: James Williams (Deakin University), "Death, Démontage and Time in Bande Dessinée as a Precursor to Film: The Works of Jean-Marc Rochette"

Hybrid

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20 November: Lucas Ferraço Nassif (IFILNOVA), "Where the Desertshore Was, There Should Be the Crypt"

Hybrid

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4 December: Anna Magdalena Elsner (University of St. Gallen), "Documenting Dying or Capturing Care? The Afterlives of Palliative Care in French End-of-Life Documentaries"

Hybrid

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P1 Close-Up on Film-Philosophy as Metaphilosophy

2023

22 November: Robert Sinnerbrink (Macquarie University), “What is a Philosophical Reading of Film? On Film-Philosophy and Philosophical Film Criticism”

Online event

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11 December: Jakob A. Nilsson (Örebro University), "Cinecepts: On the Articulation of Philosophical Concepts Through Audiovisual Media"

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2024

24 January: Thomas E. Wartenberg (Mount Holyoke College), “Thoughtful Cinema: Illustrating Philosophy Through Film”

Hybrid

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14 February: David Ferragut (Universitat Autònoma de Barcelona), “Matter and Mind. On philosophy in Early Cinema”

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9 March: Thomas Lamarre (University of Chicago), “Half Life: Radiation and Animation”

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24 April: Lucy Bolton (Queen Mary University of London), “The desecration of the beautiful star: death and the female biopic”

Hybrid

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15 May: Bernd Herzogenrath (Goethe University of Frankfurt), “The Way of All Flesh: Decasia and Death of|as Film”

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17 June: Marco Grosoli (IFILNOVA), "Looking Through the Eyes of Those Who Are No Longer: Death and Cultural Politics in Leonora addio (Paolo Taviani, 2022)"

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4 July: Catherine Wheatley (King's College London), "Tomorrow and tomorrow and tomorrow: film, mourning, and the passing of the world"

Hybrid

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Funded by the European Union (ERC, FILM AND DEATH, 101088956). Views and opinions expressed are however those of the author(s) only and do not necessarily reflect those of the European Union or the European Research Council Executive Agency. Neither the European Union nor the granting authority can be held responsible for them.

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