08/06/2026

Welcoming Marina Christodoulou

We are very happy to welcome our new resident, Marina Christodoulou, to the FILM AND DEATH team!

Marina Christodoulou is a Lecturer in Philosophy at Constructor (Jacobs) University, Bremen and a visiting Lecturer in the Department of Philosophy and in the Gender Centre at the University of Klagenfurt; she has taught in various universities in Cyprus and Germany as a visitor. During 2025 she was also a visiting Nietzsche Fellow at the Klassik Stiftung Weimar. She earned her PhD (Dr. Phil) in Philosophy through a cotutelle between the University of Klagenfurt (Austria) and the University of Toulouse – Jean Jaurès (France), defending her thesis Life as Addiction in 2022 with distinction. The dissertation examined addiction as a primary ontological modality rather than a pathology and was recognized with the Prix Georges Bastide of the Académie des Sciences, Inscriptions et Belles-Lettres de Toulouse for the best philosophical work of the year. She has also previously studied Film and Filmmaking (Edinburgh and Athens) and Gender Studies (Klagenfurt and Paris) and holds an MBA in Digital Business Management. She specialized in Ancient and Continental Philosophy both in her bachelor’s degree and in her master’s and to a large degree her Thesis was also inspired by Ancient Philosophy. A central focus of her current research is what she conceptualizes as “ontological exhaustion” or “ontological-existential exhaustion” as the exhaustion or the fatigue of being as being, or the exhaustion of being/living/existing itself, that is, the ontological and phenomenological condition of “being tired of being”. She is editing two volumes for Angelaki: Journal of the Theoretical Humanities (with republication by Routledge) on “Existential-Ontological Exhaustion: Being-Tired, and Tired-of-Being”, as well as two further co-edited volumes on Exhaustion and Body/Illness/Disability, titled “Disabling Experiences and Exhausted Bodies: Disability Illness Embodiment and Existential Experience”, and on Exhaustion in Art/Literature, titled “Expressions of Aesthetic Fatigue: Perspectives on Ontological Exhaustion in the Arts”. You can access her website here.

During her residency, Marina Christodoulou will deliver a seminar on "Cinema Keeps What It Cannot Save: Death, Duration, and the Ontology of the Moving Image", on June 17, 2026, at 15:00 WEST in room B203. More info here. Click here for registration.

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08/10/2026

CfP Workshop on The Life of Images: Death, Materiality and Animist Cinema

The FILM AND DEATH project is organizing an international workshop on The Life of Images: Death, Materiality and Animist Cinema at NOVA FCSH, Lisbon, on 11-13 February 2027. A face that breathes beyond itself, a maid who buries herself in the earth, a man dissolving into the river: these are the kinds of moments this […]
07/10/2026

Diana Neiva at the 12th Iberian Meeting in Aesthetics

On October 23, Diana Neiva will present at the 12th Iberian Meeting in Aesthetics, taking place at FLUP – Faculty of Arts and Humanities of the University of Porto. Her presentation is titled “Horror without definition: collective attention and genre recognition”. Abstract Horror film is one of the most recognisable and simultaneously most definition-resistant of […]
02/10/2026

The Film-Phil Lisbon Seminars: Maria Serafini

October’s next Film-Phil Lisbon Seminar will be led by Maria Serafini (University of Milan) who will talk about “At the Limits of Mediation: Eulogy, Digital Afterlife and the Media of Finitude”. Abstract What happens when an image no longer marks the distance between the living and the dead, but promises to overcome it? Taking the […]
01/10/2026

CfP Death in the Eyes 3 – The Iconographies of Death in Cinema: Personae, Representations, and Imaginaries

University of L’Aquila (Università degli Studi dell’Aquila), Italy, 24-25 June 2027 Keynote Speakers: Stacey Abbott (Northumbria University, UK) and Katarzyna Ancuta (Chulalongkorn University, Thailand) Few cinematic images have entered the collective imagination as profoundly as Death in Ingmar Bergman’s The Seventh Seal (Det sjunde inseglet, 1957). A pale-faced man cloaked in a long black mantle, challenging […]
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Funded by the European Union (ERC, FILM AND DEATH, 101088956). Views and opinions expressed are however those of the author(s) only and do not necessarily reflect those of the European Union or the European Research Council Executive Agency. Neither the European Union nor the granting authority can be held responsible for them.

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