22/05/2025

The Film-Phil Lisbon Seminars: Jeremi Szaniawski

The next session of our Film-Phil Lisbon Seminars will be led by Jeremi Szaniawski (UMass Amherst), who will talk about "Death, Dying, and the Death Throes (?) of Necrorealism in the Films of Alexander Sokurov and Yevgeny Yufit".

Abstract In the 1980s and 1990s, several filmmakers in late Soviet and post-Soviet Russia - including a group which went on to refer to itself as the 'necrorealists' - produced a series of films focusing on death, decay, and insanity, in aesthetics that often borrowed on the look of black-and-white 1920s and 1930s cinema. But these films (Yevgeny Yufit's 'Silver Heads' (1998), Alexander Sokurov's 'The Second Circle' (1990), or even Piotr Lutsik's 'Okraina' (1998)) did much more than just pastiche or parody these early Soviet cinema aesthetics, or even to allegorize the collapse of the regime and the social decay in the 1980s and 1990s in Russia. What will be argued in this lecture is the emergence of a new sublime - albeit a degraded one - centered around death and the vital energy it begets. These generative powers gave birth, in turn, to some of the most striking and unique characterizations and formal experiments in film history, and surely to some of its strangest affects.

Jeremi Szaniawski is associate professor of Comparative Literature and Film Studies, and the Amesbury Professor of Polish Language and Culture at the University of Massachusetts, Amherst. He is the author of 'The Cinema of Alexander Sokurov: Figures of Paradox' (2014), and the editor or translator of another nine volumes, all in film studies (most recently 'Kubrick's Mitteleuropa : the Central European Imaginary in the Films of Stanley Kubrick', 2024). He has published widely on Sokurov as well as other major figures of Russian cinema, including Andrey Tarkovsky, Aleksey Balabanov, and Aleksei Gherman.

This is an hybrid event. It will take place at room B201 (NOVA FCSH, Av. de Berna 26C, Lisbon) and online.

Note that to receive information about joining the meeting online, it is mandatory to register in advance: zoom link.

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08/10/2026

CfP Workshop on The Life of Images: Death, Materiality and Animist Cinema

The FILM AND DEATH project is organizing an international workshop on The Life of Images: Death, Materiality and Animist Cinema at NOVA FCSH, Lisbon, on 11-13 February 2027. A face that breathes beyond itself, a maid who buries herself in the earth, a man dissolving into the river: these are the kinds of moments this […]
07/10/2026

Diana Neiva at the 12th Iberian Meeting in Aesthetics

On October 23, Diana Neiva will present at the 12th Iberian Meeting in Aesthetics, taking place at FLUP – Faculty of Arts and Humanities of the University of Porto. Her presentation is titled “Horror without definition: collective attention and genre recognition”. Abstract Horror film is one of the most recognisable and simultaneously most definition-resistant of […]
02/10/2026

The Film-Phil Lisbon Seminars: Maria Serafini

October’s next Film-Phil Lisbon Seminar will be led by Maria Serafini (University of Milan) who will talk about “At the Limits of Mediation: Eulogy, Digital Afterlife and the Media of Finitude”. Abstract What happens when an image no longer marks the distance between the living and the dead, but promises to overcome it? Taking the […]
01/10/2026

CfP Death in the Eyes 3 – The Iconographies of Death in Cinema: Personae, Representations, and Imaginaries

University of L’Aquila (Università degli Studi dell’Aquila), Italy, 24-25 June 2027 Keynote Speakers: Stacey Abbott (Northumbria University, UK) and Katarzyna Ancuta (Chulalongkorn University, Thailand) Few cinematic images have entered the collective imagination as profoundly as Death in Ingmar Bergman’s The Seventh Seal (Det sjunde inseglet, 1957). A pale-faced man cloaked in a long black mantle, challenging […]
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Funded by the European Union (ERC, FILM AND DEATH, 101088956). Views and opinions expressed are however those of the author(s) only and do not necessarily reflect those of the European Union or the European Research Council Executive Agency. Neither the European Union nor the granting authority can be held responsible for them.

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