22/05/2025

The Film-Phil Lisbon Seminars: Jeremi Szaniawski

The next session of our Film-Phil Lisbon Seminars will be led by Jeremi Szaniawski (UMass Amherst), who will talk about "Death, Dying, and the Death Throes (?) of Necrorealism in the Films of Alexander Sokurov and Yevgeny Yufit".

Abstract In the 1980s and 1990s, several filmmakers in late Soviet and post-Soviet Russia - including a group which went on to refer to itself as the 'necrorealists' - produced a series of films focusing on death, decay, and insanity, in aesthetics that often borrowed on the look of black-and-white 1920s and 1930s cinema. But these films (Yevgeny Yufit's 'Silver Heads' (1998), Alexander Sokurov's 'The Second Circle' (1990), or even Piotr Lutsik's 'Okraina' (1998)) did much more than just pastiche or parody these early Soviet cinema aesthetics, or even to allegorize the collapse of the regime and the social decay in the 1980s and 1990s in Russia. What will be argued in this lecture is the emergence of a new sublime - albeit a degraded one - centered around death and the vital energy it begets. These generative powers gave birth, in turn, to some of the most striking and unique characterizations and formal experiments in film history, and surely to some of its strangest affects.

Jeremi Szaniawski is associate professor of Comparative Literature and Film Studies, and the Amesbury Professor of Polish Language and Culture at the University of Massachusetts, Amherst. He is the author of 'The Cinema of Alexander Sokurov: Figures of Paradox' (2014), and the editor or translator of another nine volumes, all in film studies (most recently 'Kubrick's Mitteleuropa : the Central European Imaginary in the Films of Stanley Kubrick', 2024). He has published widely on Sokurov as well as other major figures of Russian cinema, including Andrey Tarkovsky, Aleksey Balabanov, and Aleksei Gherman.

This is an hybrid event. It will take place at room B201 (NOVA FCSH, Av. de Berna 26C, Lisbon) and online.

Note that to receive information about joining the meeting online, it is mandatory to register in advance: zoom link.

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30/09/2025

Extended Deadline! CfP Special Issue on Swan Songs: Philosophical Reflections on Death, Time, and Memory in Testament Films

We are happy to announce the new home for the Special Issue “Swan Songs: Philosophical Reflections on Death, Time, and Memory in Testament Films”!  The editors have chosen to publish it in Arts, an international, peer-reviewed, open-access journal (also published online by MDPI) devoted to research on all facets of the visual and performing arts, […]
05/02/2026

New publication by Marco Grosoli on Raul Ruiz’s “Mysteries of Lisbon”

We are happy to announce a new publication by postdoctoral researcher Marco Grosoli. Titled “Anamorphosis of the Novelistic. Raul Ruiz’s Mysteries of Lisbon“, and published in the journal Fata Morgana 57 (2026), the full issue is available for subscribers here. In Raul Ruiz’s films, literature has always been of paramount importance: unsurprisingly, his most testamentary […]
26/01/2026

New publication by our team: “Death-Images: Revisiting Deleuze’s ‘Time-Image’ in Cinema after 1985”

As invited guest editors, Susana Viegas, Lucas Ferraço Nassif, Marco Grosoli and Vasco Baptista Marques are pleased to share “Death-Images: Revisiting Deleuze’s ‘Time-Image’ in Cinema after 1985” (Revista de Comunicação e Linguagens | Journal of Communication and Languages no. 63), published by the NOVA Institute of Communication – ICNOVA of NOVA University Lisbon. Marking forty years since […]
22/01/2026

New article published in our Arts Special Issue on Swan Songs

The editors of Swan Songs, Vasco Baptista Marques and Susana Viegas, are pleased to announce the publication of a new open-access article: “Lola Montès: Max Ophüls’s Final Dive into Circularity and Repetition” by Carlos Natálio. This article provides a reading of “Lola Montès” (1955), Max Ophüls’ last work, in light of the idea of it possibly […]
09/01/2026

“Whose Deaths Are Worth Mourning? Gendered Death in a Turkish TV Series” by Gülce Zeynep Bektaş

Whose Deaths Are Worth Mourning? Gendered Death in a Turkish TV Series By Gülce Zeynep Bektaş (Yeditepe University) https://doi.org/10.5281/zenodo.18198472 One of Turkey’s most-watched TV series, the mafia-themed Valley of the Wolves (Kurtlar Vadisi, 2003-2005) and its sequel series, Valley of the Wolves: Ambush (Kurtlar Vadisi Pusu, 2007–2016) frequently portray death, but not all of them […]
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Funded by the European Union (ERC, FILM AND DEATH, 101088956). Views and opinions expressed are however those of the author(s) only and do not necessarily reflect those of the European Union or the European Research Council Executive Agency. Neither the European Union nor the granting authority can be held responsible for them.

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