22/05/2025

The Film-Phil Lisbon Seminars: Jeremi Szaniawski

The next session of our Film-Phil Lisbon Seminars will be led by Jeremi Szaniawski (UMass Amherst), who will talk about "Death, Dying, and the Death Throes (?) of Necrorealism in the Films of Alexander Sokurov and Yevgeny Yufit".

Abstract In the 1980s and 1990s, several filmmakers in late Soviet and post-Soviet Russia - including a group which went on to refer to itself as the 'necrorealists' - produced a series of films focusing on death, decay, and insanity, in aesthetics that often borrowed on the look of black-and-white 1920s and 1930s cinema. But these films (Yevgeny Yufit's 'Silver Heads' (1998), Alexander Sokurov's 'The Second Circle' (1990), or even Piotr Lutsik's 'Okraina' (1998)) did much more than just pastiche or parody these early Soviet cinema aesthetics, or even to allegorize the collapse of the regime and the social decay in the 1980s and 1990s in Russia. What will be argued in this lecture is the emergence of a new sublime - albeit a degraded one - centered around death and the vital energy it begets. These generative powers gave birth, in turn, to some of the most striking and unique characterizations and formal experiments in film history, and surely to some of its strangest affects.

Jeremi Szaniawski is associate professor of Comparative Literature and Film Studies, and the Amesbury Professor of Polish Language and Culture at the University of Massachusetts, Amherst. He is the author of 'The Cinema of Alexander Sokurov: Figures of Paradox' (2014), and the editor or translator of another nine volumes, all in film studies (most recently 'Kubrick's Mitteleuropa : the Central European Imaginary in the Films of Stanley Kubrick', 2024). He has published widely on Sokurov as well as other major figures of Russian cinema, including Andrey Tarkovsky, Aleksey Balabanov, and Aleksei Gherman.

This is an hybrid event. It will take place at room B201 (NOVA FCSH, Av. de Berna 26C, Lisbon) and online.

Note that to receive information about joining the meeting online, it is mandatory to register in advance: zoom link.

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01/04/2026

The Film-Phil Lisbon Seminars: Robin Vanbesien

April’s first Film-Phil Lisbon Seminar will be led by our resident Robin Vanbesien (Sint Lucas School of Arts Antwerp), who will talk about “Posthumous Struggle and Transmission”. Abstract People forced into necropolitical mobility who die at Europe’s external borders often experience a “double death”: first physical, then social, as their identities and stories are lost. […]
06/04/2026

We welcome our new resident, Robin Vanbesien!

We are very pleased to welcome Robin Vanbesien as the third short-term resident to join our  team. Robin Vanbesien is a Brussels-based artist, filmmaker, researcher, and educator. He explores how cinematic methods align with and contribute to situated struggles of place-making. How can cinema—with or without a lens or a screen—offer ways to acknowledge, reclaim, reassemble, rehearse, […]
27/03/2026

Lucas Ferraço Nassif’s Interview for TV Scholar

A new intervew with Lucas Ferraço Nassif for TV Scholar is out now! In this interview, Lucas Ferraço Nassif reflects on his work at the intersection of cinema, television, and philosophy, outlining a research practice shaped by psychoanalysis and experimental media. Drawing on his book Unconscious/Television, he explores how TV and anime operate as sites […]
25/03/2026

Marco Grosoli at Eutimia surplace: Ciclo di incontri

Our post-doctoral fellow, Marco Grosoli, will be present at Eutimia surplace: Ciclo di incontri, on April 8 16:00, a series of seminars hosted by the Istituto Italiano per gli Studi Filosofici. His presentation is titled “Al limite dopo. Catherine Malabou, l’epigenesi, il cinema”. Abstract Con gesto filosofico non meno audace di quello che la impose […]
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Funded by the European Union (ERC, FILM AND DEATH, 101088956). Views and opinions expressed are however those of the author(s) only and do not necessarily reflect those of the European Union or the European Research Council Executive Agency. Neither the European Union nor the granting authority can be held responsible for them.

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