26/02/2025

On Gold and Ashes: Representing Trauma and the Aesthetics of Disappearance, with Salomé Lamas

Our first object of inquiry and care should be life. We know the reason for that as we are living beings in a situation in which the conditions of life are endangered. What has no place in this insisting ecological discourse is death. The fact that death is difficult to acknowledge is not new, but in our contemporary situation, death has a new face.

The project “Gold and Ashes” extends beyond representation to become an intimate act of excavation that proposes to mediate — materially, politically, and metaphysically — the reappropriation of death as a power and our sovereignty as mortal beings in the private and social spheres.

Through selected excerpts and a discussion around the project’s production mediated by Susana Viegas and Lucas Ferraço Nassif, with the artist and filmmaker Salomé Lamas, we will speculate on the implications of representing trauma and the aesthetics of disappearance.

This event will take place exclusively in person at NOVA FCSH on March 6th at 6:00 PM.

Salomé Lamas is a Portuguese filmmaker, visual artist and educator. For the last fifteen years and with a steady production of more than thirty projects, Salomé Lamas’ work has been contextualized in visual culture, artistic studies, and film studies, exhibited and distributed internationally in the fields of cinema (movie theatres, festivals, VOD streaming) and contemporary art (galleries, museums, art fairs, biennials). She has been developing an artistic practice which explores the embedded relation between representation and the narrative power of social reality while proposing something different. Around, but not beyond, the real: beyond, but not besides, the fictional. To address the efforts to expand such interstice she refers to her work as critical media practice parafictions.

Lamand is a research artist studio that advocates for parafiction by rejecting the boundaries between reality and fiction to rethink a state of uncertainty inherent to our historical moment through cinema/contemporary art. Lamaland’s analytical nature translates in meticulous visual outcomes and production strategies that range from film, to publications and installation. More info here.

📸 Gold and Ashes [2024], by Salomé Lamas

Film and Death
Film and Death
  • About
    • Background and key aims
    • Overview
    • Team
    • Advisory Board
    • Related projects
    • References
  • Film-Phil Seminars
  • Knowledge Map
  • Outreach
    • Conferences
    • Reading Groups
    • Media
  • Publications
    • Articles
    • Books
  • VIDEOS
  • Blog
  • Job openings
  • Contact

Blog

Tags
Aesthetics Alain Resnais Alfred Hitchcock Animation anime Anna Elsner Anti-image Architecture and Cinema Artistic Studies Bande Dessinée Bárbara Bergamaschi Béla Tarr Bernd Herzogenrath Bill Morrison Book Discussion Byron Davies Call Call for Papers Calls Catherine Malabou Catherine Wheatley Cátia Rodrigues Chantal Akerman Christian Petzold Christine Reeh-Peters Cinema Journal of Philosophy Cinema Studies CJPMI Conceptual Knowledge Map Conferences Corey P. Cribb Cristóbal Escobar Daniel Conway David Ferragut David H. Fleming David Lynch Davide Sisto Death and Technology Death in the Eyes 2 Death-Image Deleuze Derrida Disappearence End-of-life care Events Farshad Zahedi Félix Guattari Female Biopic FIlm Film and Death Film Genres Film Philosophy Film Studies Film-Phil Seminar Gilles Deleuze Grief Gülce Zeynep Bektaş Ingrid Rodrigues Gonçalves Jacques Derrida Jaime Pena Jakob A. Nilsson James Williams Jamieson Webster Japan Jean-Marc Rochette Jonathan Glazer Kanen Barad Lacrimae Rerum Lucas Ferraço Nassif Lucy Bolton Manoel de Oliveira Marc Cerisuelo Marco Grosoli Media Studies Michael Cholbi Michael Haneke Mortality Muhammad Haris Nélio Conceição New Queer Cinema Outi Hakola Palliative Care Paolo Taviani Patrícia Castello Branco Patricio Guzmán Pedro Inock Philosophy of Cinema Philosophy of Death Posthumanism Publications Queer Post-Cinema Queer Studies Reading Group Research Grant Robert Sinnerbrink Salomé Lamas Seán Cubbit Short-Term Residencies Slavoj Žižek Slow Cinema Stanley Cavell Star Biopic Susana Viegas Swan Songs Testament Films Thanatology Thomas E. Wartenberg Thomas Lamarre Tiago Cravidão Time-Image Vanessa Freerks Vasco Baptista Marques Video Violence Visiting Researcher Walter Benjamin
06/05/2026

The Film-Phil Lisbon Seminars: Isabel Gamero

May’s Film-Phil Lisbon Seminar will be led by our resident Isabel Gamero (Complutense University of Madrid), who will talk about “Mind / Body & World / View(ed): Some questions about dualism, horror films and Cavell’s philosophy”. Abstract In my presentation I am interested in raising philosophical questions about the peculiar place that horror films occupy […]
05/05/2026

Death in the Eyes 2: Philosophical Perspectives on Film Genres and Death 

From May 27 to 29, the conference Death in the Eyes 2: Philosophical Perspectives on Film Genres and Death will take place at NOVA FCSH (Berna Campus).  Organized by Lucas Ferraço Nassif, Marco Grosoli, Pedro Inock, Susana Viegas, Tiago Cravidão and Vasco Marques, all members of the FILM AND DEATH team, this conference aims to […]
04/05/2026

Welcoming Isabel Gamero, our new resident!

We are delighted to welcome Isabel Gamero, our new short-term resident, to the FILM AND DEATH team! Isabel Gamero Cabrera is Associate Professor at the Philosophy Faculty, Complutense University of Madrid (Spain). Her fields of research are political philosophy, anthropology, feminist philosophy and contemporary epistemology. She has coedited the Bloomsbury Handbook of Wittgensteinian Feminism (2025). […]
24/04/2026

New article by Nélio Conceição published in our Arts Special Issue on Swan Songs

The guest editors of the Arts’ Special Issue on Swan Songs: Philosophical Reflections on Death, Time, and Memory in Testament Films, Vasco Baptista Marques and Susana Viegas, are pleased to announce the publication of a new open-access article: “On Wrinkles, Laughter, and the Self-Reflexivity of Joris Ivens’s A Tale of the Wind“, by Nélio Conceição. In his swan song A […]
1234…38
Hosted by
Supported by

Funded by the European Union (ERC, FILM AND DEATH, 101088956). Views and opinions expressed are however those of the author(s) only and do not necessarily reflect those of the European Union or the European Research Council Executive Agency. Neither the European Union nor the granting authority can be held responsible for them.

DESIGN